The Boston Herald describes his latest release as the “album is the kind of hyperliterate pop-inflected singer-songwriter outing that went out of style when Warren Zevon died. He can write a hook that could make angels weep.” The Boston Globe: “Think ‘storyteller’ with a literary, cinematic, intellectual bent.”<\/p>\n\n\n\n
I had never heard of Rob Morsberger when he stepped onto the stage as the opening act for Crash Test Dummies – barefoot, wearing jeans and a muted Hawaiian shirt, and a straw hat with the brim turned upward. He smiled at the silent audience in the half-filled coffeehouse, and then laughed, “You guys are so quiet…” Then he began to play the electric piano, singing a plaintive, heartfelt melody, tapping out the rhythm with his bare foot. For about 4 minutes, he seemed to be lost in himself, and then emerged to polite applause. I was hooked.<\/p>\n\n\n\n