Indian Entrepreneur: Kolam Maker

A successful entrepreneur is someone who offers a solution to a problem.  Far too often, I spot people weaving in and out of traffic on foot, trying to sell motorists one type of useless knickknack or another:  long, twisty balloons, feather dusters, national flags, wire/bead animals.  But we found a guy in Pondicherry who has identified a potential customer base with a need, and then came up with a solution to address that need.

All over India every morning, millions of women wake up and make a kolam outside the entrance to their home – a rice flour design of some sort, frequently passed from mother to daughter.  It is thought to bring good fortune, and I blogged about kolams a few weeks ago and provided some examples.

This isn’t a hugely time-consuming process, but if you add it up over time, think of the potential time savings!

So this guy has procured plastic piping and uses a pointy implement of some sort to make a design using holes.  Then he fills the pipe with rice flour and closes the end, and the device can then be rolled on the ground to make an intricate design.

The question is, will he be able to persuade Indian women to depart from tradition and accept this somewhat fancier, but possibly construed as “cheating”, alternative to the tradition that has been handed down through generations of women.

Only time will tell.  For the time being, however, he has set up his sidewalk shop to target passing tourists.

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The Dune Eco Beach Hotel

We stayed at a wonderful, somewhat funky beach resort north of Pondicherry – “The Dune” Eco Beach Hotel.  It’s an eco-friendly hotel/resort consisting of a bunch of different huts and houses scattered over 35 acres of lush landscaping.  In addition to efforts to be “eco-friendly”, they are also art-friendly, playing host to a crafts and vocational school for marginalized Indians seeking to better their lives.  It’s also a great place to bring your dog – you don’t have to endure disapproving looks from management if your dog is walking around off leash, because the resort has a few of its own hanging around the grounds and stopping by to visit any four-footed guests who stop by for a day or two.

Many of the houses are constructed from repurposed wood, in the style of local traditional houses and with an artistic touch here and there.  We stayed in the “Kerala House”, and the gables on both ends give an indication of what I’m talking about:

Dune Eco Beach Resort

The gardens are all surrounded by “natural fences” and everyone gets a couple of bicycles to get around.

Dune Eco Beach Resort

The grounds have a nice dirt path about 1.5 km long where you can walk or jog, and admire the odd little works of art scattered around the grounds, like this one:

Dune Eco Beach Resort

The resort also has its own private beach. Of course, the beach is not fenced off from other beaches, so there is the occasional visitor like this dog from the nearby fishing village.

Beach Dog

While we were there, I wandered down to see what the fishermen were up to. Most of them were out to sea, but some, like this man, were working on their nets.

Fishing Boats

The boats were surprisingly simple, with all sorts of motors. Yet they seem to get the job done.

Fishing Boats

While I was wandering around the fishing boats, these three boys stopped me and insisted I photograph them in extremely fragmented English.

Boys on the Beach

After I snapped the photo, they came for a look, and when they saw the result, they insisted I take another – but this time I should “zoom”! So I took another. This one, they proclaimed, was “beautiful.”

Boys on the Beach

The resort was extraordinarily quiet at night, and if you wandered outside, there were endless stars overhead. In a country of 1.2 billion, it’s nice to know there are still lots of places you can get out and see the stars.

Night Sky near Pondicherry

 

If you’re interested in learning more about this resort, you can read my review on TripAdvisor.

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Pondicherry: First Impressions

Although it has been correctly known as “Puducherry” since 2006, even the tourist brochures continue to refer to this southern Indian city as Pondicherry.  Formerly the nucleus of “French India” – the French controlled this area for 280 years – the city and the region around it formally joined the rest of independent (in 1947) India in 1954.  Nearly three centuries of European occupation are clearly visible in the city, as they are in many other parts of India.

And the city is a little bit divided along pre-independence lines.  The editorial in a tourist brochure we picked up reads:

“Pondicherry is a charming little town filled with history, spirituality, French heritage, beautiful beaches, calm & well planned white town streetcapes, handicrafts and unique life style.  Pondicherry is divided into quiet & tranquil white town and active Indian town wherein the architecture & streetscapes completely differs.

The Wikipedia entry for the city  explains that:

“the town is divided into two sections: the French Quarter ( Ville Blanche or ‘White town’) and the Indian quarter (Ville Noire or ‘Black Town’.) Many streets still retain their French names, and French style villas are a common sight. In the French quarter, the buildings are typically colonial style with long compounds and stately walls. The Indian quarter consists of houses lined with verandas and houses with large doors and grills. These French and Indian style houses are identified and their architecture is preserved from destruction by an organization named INTACH. The use of the French language can still be seen and heard in Pondicherry.

Although from an American perspective, that description may contain a bit of political incorrectness, in practice it was clear to see what they were talking about.  We stepped out of the “auto rickshaw” in the city center and in the midst of a Sunday market that was a riot of traffic, people, noise and smells.

Pondicherry Main Street

Puducherry

Puducherry

In the so-called “French Quarter,” the atmosphere was much more “tranquil” (you have to pronounce it the French way) – the pace was slower, crowds were smaller, and the architecture was completely different. People were enjoying the breeze along the “beach” (covered with stones) and an occasional tourist was spotted along the quiet lanes of the quarter.

Pondicherry Boardwalk

French Quarter

It can be said, however, that some of the buildings had seen better days:

Municipality Sign

Prominent along the seafront are a huge statue of Gandhi and the city’s lighthouse:

Gandhi Statue

Lighthouse

These workmen took advantage of the quiet atmosphere in the French quarter to catch a snooze – something which would have been impossible, I would guess, in the other part of town:

Workmen Napping

And farther down the street, we ran into a film crew busily preparing a set for filming. We stopped in a nearby cafe, the “Cafe des Arts” and browsed a bit through the attached art shop.  And started chatting with the proprietor and one of his guests.  And were quite surprised to find that the guest had been in our Chennai home three years earlier, at a party being hosted by a previous occupant!

It really is a small world.

We’ll definitely be heading back to Pondi-/Puducherry, close as it is to Chennai.  Having visited on a Sunday, many of the shops were closed – including the antique/”junk” shops we had been recommended.

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It’s a Long, Long, Way to Pondicherry

For the first time, we left our 7 or so million neighbors in Chennai and decided to head out of town.  South, along the “ECR” or Eastern Coastal Road.  Which can be a harrowing experience.  I just kept reminding myself that our driver has been doing this for a long, long time – he’s about 60 and drove a bus for nearly 20 years in the 70s/80s, and has been driving for individuals and families ever since.  The stack of references he gave us when he applied made no mention of any accidents.

So anyway, the ECR is a two-lane road: one heads north and the other heads south.  However, the paint they use to mark the center line is completely wasted, as it is fully ignored by all drivers.  Along much of the road, there is an emergency strip.  But local drivers are careful not to waste anything, and that includes pavement.  It’s not uncommon to see 4 vehicles abreast – two heading north and two heading south – as cars overtake each other in both directions.  In rare cases, you can see three heading one way and one heading the other, as a vehicle overtakes a vehicle which is overtaking a third.  And somehow they manage to safely blow past each other at 70-80 kph, or, say 150 kph net/combined, always managing to miss each other by centimeters.  It’s truly remarkable to watch, terrifying to live.

So as we headed out of town, I announced my next blog post would be about the trip, and I also announced (with a guffaw) the planned title for this post.  No one was impressed.  I guess we travel in different literary circles.

tipperary

 

So what’s Pondicherry?  It’s a city of about one million, and a “Union Territory” comprising what used to be French India, for about 280 years if I’ve understood correctly.  (And since 2006, it’s Puducherry – but more on that in tomorrow’s post).  And it’s about 150 km south of Chennai, which is why we got to leave town.  To document our first trip outside Chennai, I thought I’d share these photos, which is our first contact with a more rural part of the country.

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A fair number of green stretches…

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Schoolkids waiting for the bus home.

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Village after village with unpronounceable names:  Bommayapalayam, Pillaichavady, Ranganathapuram, and my personal favorite, Ganapathichettikulam.

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You can always get a coconut.  It’s not clear if it was the case here, but many vendors sell coconut that you buy, they hack off just enough to provide a quarter-sized opening, and put in a straw.  Instant summer refreshing drink!

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Getting Better at Black and White

I love my Kodak Monitor 620 – this camera from the 1940s has taken a bit of time to master – especially since I’m new to film / analog photography anyway –  but I’m finally getting quality images out of it.  Just wanted to share:

View from Crater Lake

I’m amazed at the detail you can get from medium format film. I don’t think you can get resolution like this from 35mm. This shot is from Crater Lake, looking outward away from the lake. The same point about detail / resolution goes for the photo below as well.

Bridge

O'Brien Post Office

With this old police sedan parked out front, this looks like it could be from the 1950s – but this scene from O’Brien, Oregon is taken in 2013.

Barn

This is an old barn in eastern Oregon – I love how it came out. The roof blends into the sky a bit, but other than that it’s much better than I expected.

And lastly, these street musicians. This photo is a mistake – somehow I managed to override the mechanism in the camera that’s supposed to prevent this – and I have a photo of a couple of street musicians and a sidewalk in Arcata, overlaid by some spooky trees on the coast a few hours away.

Street Musicians

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More Found Film

I posted yesterday about “found film” – exposed film found in old cameras.  If you’re also intrigued and interested in seeing other “found film,” you can check out the following websites:

Westfordcomp.com – a no-frills website listing “found film” – along with bunches of snarky comments

Nerd’s World – a growing collection of interesting found film

Found Film group on Flickr

Or, take a look at this fascinating video which appears to be the “mother of all found film caches” – in which someone discovers many thousands of street photos taken by a reclusive nanny named Vivian Maier – who may turn out to be one of the greatest street photographers ever. A few years old, but truly amazing!

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Six-16 Brownie Special with Found Film?

I’ve mentioned it before, and I still can’t tell you why:  I like taking old rolls of film I come across, and getting them developed to see what secrets they hold.  It costs much more than modern film, and probably half the time there are no pictures to be salvaged.  People think it’s weird – but when I successfully get an image, it’s fun to wonder who the people are in the photo (it seems like old photos always have people as their subject) – and why the photographer thought a particular image was worth capturing on film.  And then completely forgetting about it.  Maybe they got a new camera and the old one was set aside for 60 years – who knows?

Before you get your hopes up, this is one of those times I didn’t get an image.

Awhile back I picked up an old Six-16 Brownie Special which was said to contain  a partly exposed roll of film.  The thing about a Six-16 is that it uses 616 film (strange coincidence, I know!).  But 616 film is a variation of 116 film – it just has a thinner spool.  Neither 616 nor 116 film have been made in years, and are extremely hard to get your hands on.  Other film types can be cut from 120 film, but 616/116 are wider than standard 120 film, removing this option.  This is what it looks like, in comparison to the slightly shorter 120 roll:

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So I had high hopes when I received the camera, with its roll of film that had been wound to exposure number 3.  I was hopeful that numbers 1 and maybe even 2 would turn out.  I quickly snapped a few photos to use up the roll and sent it off.

While we wait for the film to be developed and return, a bit more background: the camera itself was manufactured between 1938 and 1942.  It took negatives that were 2.5 inches by 4.25 inches – compare that to 12o film which takes 6 x 9 cm exposures (2.4 by 3.6 inches) and 35mm film, which takes 24 x 36 mm exposures (less than one inch by 1.4 inches).  The Brownie Six-16 had a trapezoidal shape to accommodate the wider-than-normal exposure, as seen in the photos below:

Eastman Kodak Six-16 Brownie Special

Eastman Kodak Six-16 Brownie Special

 

You could turn the camera either way – to take landscape-like photos, or very tall photos.  The switch under the lens would change the focus to over/under 15 feet, and there was also a switch to leave the shutter open for an extended period.  I have a couple of these, and I’ve noticed that the mechanism to prevent the shutter release from accidentally being pushed, 80 years after the camera was manufactured, sometimes makes it difficult to release the shutter on purpose.  It’s a heavy camera, made of metal, and on many of them (like this one) the leather strap on top is damaged or missing.

So back to the photos.  It turns out that the years were not kind to the photos that had been taken by the previous owner.  It could also be that no photos were taken, and someone advanced the film with the camera open, curious to see how it worked.  But I wish I had paid more attention when I snapped the additional photos, because those actually turned out.  Though the film was manufactured all the way through the 1980s, the Kodacolor-X film used in this camera was manufactured between 1963 and 1974.  That means that this film was at least 40 years old.  The C-22 process was discontinued years ago, and the film was processed as black and white film.  I think it’s remarkable for an 80-year-old camera using 40-year-0ld film:

616 Film Test

616 Film Test

So what’s next? Well, since Blue Moon Camera was kind enough to send back the spool with the backing paper intact, I may try rigging the spool up with some 120 film, and seeing what I can accomplish with the camera and some newer film.

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Vintage Cameras: Zeiss Ikon Ikonta 35

I was reminded today that I have a long way to go in building my vintage camera collection – the world record holder, who lives nearby in Mumbai, has a collection of 4,425.  At least, he did when this article was published.   The thing about my (much smaller) collection is, however, that I try and limit myself to cameras I can actually use.

The Zeiss Ikon Ikonta 35, later improved and renamed the Contina, is one such camera – one that I particularly like because of the clever way it’s designed.  After World War II, the Zeiss company, which had been making cameras for a number of years, faced a tenuous future.  Hubert Nerwin, in his private time, designed a 35mm camera that would slip into a shirt pocket.  This Ikonta 35 soon became a popular item in U.S. military exchanges in Germany, and many soldiers brought a copy back to the States after spending time in Germany.

Zeiss Ikon Ikonta 35

These cameras were manufactured from 1949 to 1953. This particular Ikonta is probably from around 1950 or so.  It wasn’t one of the first models, which were made using Schneider Xenar lenses, and also not one of the later models, which included an accessory shoe on top.

The camera has a number of clever innovations that make it especially interesting. Moving the film winding mechanism to the underside of the camera, two dials that are not much larger than a quarter, and mounted flush with the camera, helped reduce the size of the camera and remove protrusions from its top surface. The entire lens assembly pops into place when you open the little door on the front, and it remains firmly in place until you squeeze the struts together. It’s got tiny, delicate knobs and dials in addition to a flash synchronization contact and a place for the cable release.

Zeiss Ikon Ikonta 35

On the front you can see the various settings available, all accomplished with tiny calibrated dials that make other cameras from that time frame appear clunky in comparison. The red knob on the bottom is a timer, and the shutter winding lever is on the top (visible just above shutter speed markings 2 and 5 – representing 1/2 and 1/5 second, respectively.  Unlike many cameras of the day, which required you to reach out somewhere on the lens and find a lever to release the shutter, or else had some sort of button on top that connected to the lens with levers, with the Contina you just press down on the small knob/lever on the top left (facing the photo above) of the lens – shades of the plastic cameras that would follow later in the 1950s, through the 1970s.

Zeiss Ikon Ikonta 35

Until I found an online manual for the camera, a couple of its basic features eluded me. One was how to get the thing open – there is a small slider carefully hidden on one side of the camera to look like decoration. Until I got it open I couldn’t load the film, which was necessary to determine whether the camera worked – as the shutter and several other mechanisms can’t be tested without film in the camera. It was then that I discovered that the designers had built in a mechanism to prevent double exposures.

Once I completed the roll, I was again stumped, as I couldn’t figure out how to release the film so it could be rewound. I finally found a carefully camouflaged button in the center of the film advance disk – once depressed, the disk on the other side of the camera’s bottom could be used to rewind the film.

Unfortunate and very disappointing however is the fact that all of the photos appear to be blurry. I’ve had cameras where the focus mechanism – basically a threaded lens that moves toward and away from the film as it is turned – is somehow mis-calibrated; but when this happens, a few of the photos will turn out, and you just need to figure out how to compensate for the miscalibration. On this one they all are blurry, almost as if taken through a cheap plastic lens; but the lens itself is clear without any damage. I’m considering tinkering with the three tiny screws that hold it in place, but hesitate to take it apart and try and clean it, as it was around this time that manufacturers began coating lenses.

A few examples follow.  Compare to another Contina owner’s photos (much clearer!). Happy for any suggestions.

Arcata Street Musicians

Northern California Coastal Hills

Giant Redwood

Blonde

 

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Chennai Fish Market

Fishing Boats

Living on the coast has its benefits – fresh fish!  Unfortunately, when it all gets gathered in one place, the smell of fish becomes so strong that I quickly lose interest in actually eating any.  But it’s good to know it’s there and suggests that what’s being sold in the shops is likely also pretty fresh.

This particular market is very small-scale, and its fish are sourced from the boats you see in the picture starting this post, which are all piled up on the beach behind the market itself. The fish are brought in and sold on sheets of plywood or tarps mainly. Mostly women work the fish stands but generally they did not want to be photographed.

Fish Market

One woman did let me take a picture of the fish she was selling, though she seemed to find it odd that I had an interest in doing so.

Fish Market

This is not an area of wealth. I posted yesterday about the homes on the beach and the destruction caused by the 2004 tsunami. These are directly landward from the market:

Beach Homes

Beach Homes

Finally a photo of Chennai’s lighthouse, which is just north of the fish market.

Chennai Lighthouse

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Chennai: at the Beach

Today’s post is a bit more depressing than most.

People in Chennai will proudly tell you Chennai’s “Marina Beach” (also often spelled “Merina”) is the longest beach in the world, or the second longest.  I was skeptical, but found that in actuality the beach is the world’s second largest URBAN beach, at 13 km in length.  It is also well over 400 meters wide at many points.  It is lined by a walking promenade, about twenty statues, and many grand old colonial buildings.  Unfortunately, due to the trash caused by the high number of food and other types of vendors working on the beach, and the large number of visitors, I found it to be a depressing place.  It has potential, but a great deal of awareness building and work is needed.

Swimming is prohibited at the beach, due to the currents.

I’ve run along the beach before – it’s cooler and breezier than the rest of the city, and on my recent visit to San Thome Church, I spotted the beach in the background and decided to have a look at the southernmost end of the beach.

Directly behind the church is a pole erected in thanks for the church having been spared in the 2004 tsunami.  The tsunami did not make it far inland, but the homes close to the water were badly damaged and around 50 people are said to have been killed.  Unfortunately, people still live in those buildings.  Below is St. Thomas Pole, and the views to the right and left and toward the water.

St. Thomas Pole

Post-Tsunami

Post-Tsunami

On the way to the beach, I pass a hand-cycle, presumably belonging to one of several beggars on the church grounds.

Handcycle

Two boys called me while I was snapping photos and asked to have their pictures taken. They were disappointed that I couldn’t give them a print. I’m looking into getting one of those instant cameras made by Fuji and Polaroid but I worry about the demand if people catch wind I’m handing out photos.

Two Boys

I pass a colorful temple a bit farther down. You can see the church steeple in the background.

Beach Temple

Looking up the road that runs parallel to the beach, I spot a fish market. I’ll stop by here later, and this is the subject of tomorrow’s post.

Beach Road

And finally, while it is a bit depressing, this is my favorite photo in the bunch, from a photographic perspective. Check back tomorrow for more.

Boy on the Beach

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St. Thomas Basilica or San Thome Church

I had the opportunity to take part in an event sponsored by local Ahmadiyya Muslims encouraging peace between religions, and I was impressed by the diversity of religions represented by the guests at the event.  One of these guests represented there told me about San Thome Church in Chennai, so named because it is built over the tomb of St. Thomas.  San Thome is one of only three basilicas built over the tomb of an apostle – the other two being St. Peter’s Basilica and St. James’s in Spain.  Saint Thomas brought Christianity to India in 52 AD and was martyred in Chennai in 72 AD.  After speaking with him, I thought it might be interesting to have a closer look this weekend.

As I went on a Sunday, there was a lot of activity and I couldn’t really get any postcard-worthy photos, but in any case here are some photos so you can get an idea of how impressive the place is (from the outside anyway).  Bear in mind the humidity in Chennai quickly turns most buildings gray (mildew in the stone, dust etc) – somehow this stays a pristine white:

San Thome Church

The church sits right alongside a busy street, which makes its color even more impressive:

San Thome Church

San Thome Church

In the parking lot of the church is a decorated statue of “Our Lady of Mylapore.” Known locally as Mylai Matha, the wooden statue painted in gold and placed on a special altar is the subject of several feasts, and on the Saturday before I took the photos, it was apparently part of a procession in the city in which devotees competed to touch or pull the chariot. While she sits here, people constantly stop by in contemplation.

Our Lady of Mylapore

Note the intricate design with flowers (close-up):

Our Lady of Mylapore

 

Pretty impressive stuff.  I didn’t get  a chance to view the inside – but you can see more photos of San Thome (by others) here.

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More Scenes from the Hood

Sharing some more general impressions from my neighborhood. I go walking around for 15 minutes and every time I come back and feel like I’m about to start reciting “And to Think that I saw it on Mulberry Street.”  Today’s post is nowhere near as dramatic – but this is literally 15 minutes’ walking, and I come home with stories to tell.

Flower Vendor

I went to see this man down the street to pick up some jasmine – the pile of white flowers on the left.  Molly likes them.  Some people drape them over something because they smell nice – either in their house, at temple, or even the rearview mirror, and some women put it in their hair.  Older people sit along the street with flowers they brought (see his bike cart in the background) and put the flowers on long strings.  I should go out and see where they are grown.  But that’s another day.  So I held my arms out shoulder width to indicate how much I wanted, and not speaking a word of English he seemed to be asking if I wanted “one or two.”  To explain, a “unit” of these flowers is the length from the vendors fingers to his elbow, which is how he measures it.  So I gestured that I wanted “two” and he snipped off a length he measured by going from his thumb to his elbow twice.  I gave him 100 rupees – about US $1.70 or so – and he very deliberately counted out four worn ten rupee notes.  When I gave two back in exchange for this photo he grudgingly allowed me to take, I got a big smile.

Temple Around the Corner

I made a wrong turn and found this temple at the end of a dead-end street. The temple keepers wear a skirt-like garment of white linen plus a sort of shawl over the shoulder. They will often prepare the temple bare-chested. You can see his garments hanging to the right of the temple. So I’m walking down the street and the temple’s keeper passes me on a big motorcycle, with his upper garment flapping behind him. He was happy to let me take a photo of the temple, but did not want to be photographed himself.

Keiler has met these guys – I call them Ebony and Ivory. They are always asleep when I pass by – and the black one has the tip of his tongue sticking out. Lots of dogs running around the neighborhoods, but you rarely hear barking, none as far as I can tell are aggressive, and they’re all about the same size.
Ebony and Ivory

In addition to dogs, there are cows. There are no meadows. This is literally a somewhat upscale suburban neighborhood, and the cows just lie around where they want. This one was in what appeared to be his owner’s driveway (the guy was just out of sight) and two driveways farther was another. Do you think she looks better in black and white?

The Cow on My Street

Cow: Portrait in Black and White

So I’m headed homeward, and a guy spots me with my camera and points excitedly at a billboard – not completely friendly, but not unfriendly. Just pushy. I had just taken a photo down the narrow walking street of a working-class neighborhood and he wanted me to go back. It seemed he wanted me to take a photo – not of the billboard, but of something else. “Left, left” he kept saying. A couple of teens who had greeted me asked “Why are you coming back?” “No idea” I responded, and followed.

Just around the corner he directed me to a small temple and made clear he wanted me to photograph him and the temple. He directed everyone to their places, and pedestrians walking by all had to stop while I snapped photos. Ironically, he is hiding behind the temple keeper on one photo, and just barely visible on the other. The temple keeper doesn’t look comfortable with the whole thing either.

Temple

We have arranged that I will drop off prints later in the week. But the whole episode, and some others today who really wanted copies of their pictures, has me thinking about picking up one of those “new” Polaroid or Fuji instant cameras for occasions like this.

I should comment more about the offering they encouraged me to photograph separately. If you’ve been checking in, you’ll recall something similar last week. The bulk of this is made of tiny flowers:

Temple Offering

As a final thought I’ll share the billboard that started this discussion. After we left the temple, he brought me back to the road and had me photograph that as well.

Temple Billboard

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Riding in a Rickshaw

This post is from the point of view of the auto rickshaw – or as I like to call it, “the scourge of the developing world’s road network.”

OK so maybe that’s a bit over the top; but as exhibit A, I present the fact that in Mumbai, they have banned auto rickshaws from the center of the city because traffic has just gotten too crazy.

In Chennai, they’re a common sight – probably only outnumbered by motorcycles, which can be seen carrying anywhere from one to four passengers, some seated traditionally, others sidesaddle (see, that’s the thing about saris.  For the same reason, motorcycle operators are overwhelmingly male).

Don’t know what an auto rickshaw is?  It’s basically a moped on steroids.  Also known as a three-wheeler, samosa, tempo, tuk-tuk, trishaw, auto, rickshaw, autorick, bajaj, tricycle, mototaxi, baby taxi, or lapa, it’s a three-wheeled moped-type cycle, often with a four-stroke engine and a few gears – but most significantly, a cabin to the rear of the driver.  There are no seatbelts, they can tip over (three wheels, you see…) and I don’t believe their drivers are subject to any sort of licensing requirement.  They all come equipped with a meter, but I’ve never seen one in operation.  Basically, I can go all over town for about 100 rupees ($1.70 or so) for a one-way trip.  I’m fully aware the locals pay less, but whatever…

So when you visit a city where these things are prevalent, it’s fun to ride in them – kind of a novelty.  But when you live in such a city and lack a driver’s license, and it’s your driver’s day off, well, the novelty will soon wear off, I’m sure.

This is what such a ride can look like.  For the first half of the video, I was trying to get from A to B.  If you think the roads are crowded, they’re not – Sunday is by far less crowded than any other day.  But in the second half of the video, “Anthony”, a driver who was intent on touring me around the city all day (I stopped him), is taking me through the market on the street where he lives.  We pass his wife and daughter at one point, he invites me in for coffee (I decline), and we continue on at walking speed. Oh – and those times where it looks like we’re about to hit someone head-on? It’s not an optical illusion – it looks exactly the same to the occupant.

So that was the view straight ahead.  What sorts of things do you see zipping by on a Sunday?  See below:

Chennai Streets

Chennai Streets

Chennai Streets

Chennai Streets

Most of today’s photos are not that great, from a photographic perspective, but I kind of like this one, just because of the bright colors and “buzz”:
Chennai Streets

All of the cargo trucks have things painted on the back – very often it says “sound horn” like on this one. I like to think this is actually the reason for all the honking in traffic. Silly truck drivers and their paint!

Chennai Streets

I was told not to post this billboard because it seems snooty to poke fun at it. But the point is, they’re working on your heart, not editing your dissertation:

Billboard

I decided to put all the remaining photos in a collage, since they all have issues like blurring, framing and composition problems. Basically I held my camera on my lap and snapped photos as I was driving. Then I had to cut parts away to straighten them and these were some of the better ones. It all just sort of rushes by when you’re on an auto rickshaw.

Streets of Chennai

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The Trouble With Black and White Photography

I enjoy looking at good black and white photographs.  But maybe it’s just me – I find it extraordinarily difficult to create good black and white photographs.

The problem is, we see in color.  And I use color references to help me select and frame photographs before I press the shutter button.  Then I get home and experiment – gee, would this look good in black and white?  Invariably the answer is no – the color version looks better.  This was true when we lived in Namibia and much of what I photographed was wildlife and nature, and it’s true in India where bright colors contribute to the vibrance /controlled chaos that happens in the streets of the city every day.  Because the idea is, once you figure out through trial and error with a digital camera the kinds of things that would look good in black and white, you should be able to do the same thing with an analog camera and a roll of black and white film.

It gives me a much bigger appreciation for the masters who didn’t have digital cameras to help them learn their craft through trial and error.  They had to pay cash for their mistakes.

This is one I took recently.  Usually when I change a color photo to black and white, the color version looks much better (to me).  I think this is a good example of where the bw version looks at least as good as the color version, if not better.  Your thoughts?

Street Scene

 

 

Street Scene

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R.A. Puram, Chennai in Photos 3

This is the second part of a post describing a 90 minute “photowalk” around my new neighborhood in Chennai, India.  Everything you see is within a 500 meter radius.

So continuing yesterday’s story, the main destination I’d had in mind when starting this walk was yet to come.  The other day I had heard drums and festivities from a nearby neighborhood and wanted to check it out.  It seems that there are a few roads which do not appear on Google maps; along the canal are row upon row of small houses and narrow, unpaved alleyways that run between all of them.  It was there that I headed, and getting access to that area was not easy – there’s basically one way in and out at the east and west end of the neighborhood, so you’re kind of trapped once you’re in there.  Yesterday’s post was mainly about getting to the far end of this particular neighborhood.  Here’s what it looks like:

Along the Canal

Seems like a working-class neighborhood, not really poor by Indian standards, but once you get to where you can afford a car, you’d probably want to live elsewhere because it’s basically foot- and two-wheel traffic that can get around here.  And it became quickly apparent by the behavior of the ‘tweens and teens that a foreign white dude was not a common sight around here – I was definitely getting noticed and getting a lot of friendly waves and curious smiles.  Initially I turned around to head out – everything is so close together you feel like you’re walking in peoples’ personal space – but I decided to continue on.

I was self-conscious about taking photos and how people might react.

Pumping Water

Eventually I came upon a small neighborhood temple and some young men started talking to me. They wanted me to take photos of them in front of their temple:

Men at the Temple

I could tell people were pretty excited about some festivities planned for later today (the guys later told me I was welcome to come back at 1 pm for the “big event”), and they encouraged me to go inside and take a look. Not knowing much about proper etiquette at a Hindu temple – other than knowing to remove my shoes – I was a bit worried about offending. I was alternately encouraged to “take a photo of this, but not that.” Then they would change their minds and say “ok take a picture of that too”. Inside the temple I could see offerings had been placed at the altar and eventually dug out a 20 rupee note, offering it. This seemed to be the right thing to do and I slipped it into an offering box and that meant I had to be offered some ash and a red powdery substance to mark my forehead – which of course had me stumped again.

This object was to the left of the altar. Take a close look – I’m not sure what the actual face is made of, but virtually everything surrounding the face is made of tiny flowers or leaves tied together on pieces of string, and individually applied to the frame!

Offering

Here it is again, with the actual altar shown. Notice the doors which open inward, and the bells – in many temples bells are rung by hand at the start of worship – the doors are closed when the temple is not in use. Coconuts are on the altar as offerings, and not in view on the photo are various fruits and flowers. The ash and the red substance on the plate itself and in the small containers to the left is what I was offered for my forehead.

Temple

Outside many temples you will find people like this lady putting flowers into long garlands, which I initially thought was for home decoration – but given the stack of bananas and seeing inside the temple, I realized she is selling offerings. Earlier that morning I had bought about a meter of jasmine flowers on a string – cost about a dollar.
Flower Vendor

Researching afterward revealed so many variants of forehead marks that can be applied, I was almost more confused than when I started.  Suffice to say I received a blessing often given by temple priests, both to Hindus as well as to non-Hindu visitors at temples.  In this case we were to apply the mark ourselves, as there was no priest.

At the Temple

In any case, I continued on, and came across families preparing different items outside their house, which I realized later were likely offerings for the procession I would soon run into:

Puja Offerings

Next I ran into a couple of teen boys playing drums, and decided to record some video of their impressive drumming. You will see in the video, a the guy in the blue shirt is excited about the camera and is alternately encouraging me to film this, then that, then he tells me to photograph the lady drawing water at the well (recall earlier I had tried to do this subtly)

Pumping Water

And then I ran into the procession – they were getting set up and I couldn’t really get by, and these guys, like many others that day encouraged me to take photos, even insisting I back up so I could get a better shot. You’ll see a lady put 10 rupees on the offering plate, and I did the same in return for letting me shoot the video. At the end of the clip you see the guys in response insisting I accept more of the ash and red substance – apparently being created on the plate as flowers and other small offerings are being burned, maybe with ghee. Who knows!

And so that was pretty much my morning. I made my way back home and spent the rest of the day on the internet, trying to make sense of it all. In so doing, I discovered there are some photography groups in Chennai that do “photowalks” – and I’ve sent them notes to see if we can link up. It seems I did not commit any egregious offenses during my morning jaunt – out of sheer luck – but hopefully doing this next time with some locals to guide me on the “do’s and don’ts” will ensure that I keep out of trouble in the future as well!

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R.A. Puram, Chennai in Photos 2

This morning I decided to take my camera for another jaunt around the neighborhood in what seems to be called a “photowalk”.  So I discovered today.  It wound up being kind of a crazy 90 minutes or so – I came home soaking wet (sweaty) carrying a bag of jasmine and my forehead covered in ash and turmeric.  I’m not sure it makes sense to fit it all in one post but I’ll play it by ear on whether to divide this into two parts.

It’s important to bear in mind that all of this is photographed within about a 500 meter radius of our home.  As the crow flies.  We live on a quiet, dead-end street; but as I’ve mentioned before, things are kind of pell-mell here.

Things started out pretty quiet.  Below is a temple that’s a couple of blocks away; I didn’t go in, but found the murals on the walls outside interesting.

Kamakshi Templs

Kamakshi Templs

Kamakshi Templs

Kamakshi Templs
From the work above it’s clear that not all of the deities in Hinduism are “nice” – some are frightening.  Brahma, Vishnu and Shiva are considered the three three aspects of the universal supreme God. These three aspects symbolize the entire circle of samsara in Hinduism: Brahma as creator, Vishnu as preserver or protector, and Shiva as destroyer or judge.  Thirty-three deities (or devas/devis – male and female noun, respectively) are mentioned in Hindu scripture – but the exact nature and other aspects vary depending on the denomination of Hinduism to which a believer ascribes.  I believe the blue figure in the bottom photo is Kali; but for the most part, I’m not going to try and guess who is who as it seems pretty difficult to grasp as an outsider.  I spent 90 minutes walking and 4 hours googling, and the best I can tell, most locals are of the Saivist denomination, meaning they ascribe to a monotheistic ideal of Shiva.  Most temples seem to feature either Ganesha, or Shiva, Ganesha’s father, and you’ll often see people adorned with three white stripes across the forehead, with a daub of red in the middle. So sayeth the almighty internet.  And if a reader should want to correct my ignorance, please use the comment feature to educate me and other readers 🙂

At this point photos from another temple, which I encountered at the end of my walk (I think I passed five) would be appropriate:

Temple Roof Figures

Temple Roof Figures

Most of the temples we’ve seen are decorated with figures of this type, in bright colors; however, there are also different styles of roofs, which I’ll share as we visit them. And bear in mind, Chennai also has many mosques and churches – and everyone seems to get along just fine.

Now let’s move on to some street scenes. This is all taking place around ten on a Sunday morning, generally a day off in India – but business is business. So I went for a walk up a bustling street of shops and shoppers:

Street Scene

When you look down the side streets, things often get very narrow:

Alley

But you’ll see all sorts of shops. You can get a haircut:
Street Sign

I think they meant to call this the “Ruby Award Salon” (for unknown reasons) but you have to admit, it’s probably a good marketing approach to call a barbershop a “saloon.” Or it would be, if this weren’t mainly a “dry” area.

You can buy some “Bright fancy gift articles” – including “immitations.” I guess lots of people can’t afford the real thing, so there’s no point in playing around – go where the market demands, right?

Bright Fancy Articles

You can also get your bicycle repaired.

Bicycle Repairman

I had been cautioned to always ask before snapping photos; and generally most people are enthusiastically in favor of the idea. I’d say 40 percent of the photos I take I don’t even have to ask – the subjects come and ask me to take THEIR photo. And usually have little interest in seeing the outcome or getting a copy. Maybe when we get our printer I’ll print some of these and hand them out in appreciation. But the bike repair guy I asked for a photo. But he encouraged me to get a close-up of the pictures he has on display of local politicians – and he made a point of calling attention to Jayalithaa, the Chief Minister of Tamil Nadu and a former film star. So I took a close-up per his request:

Bicycle Repairman

Lastly, you can also buy some chicken.
Chickens
These guys looked miserable – pre-plucked, basically. You see a lot of animals in the streets, and people are overall very kind to animals – I’ve never seen a dog or a cow struck or kicked – and even in poor neighborhoods the kittens get fed a pile of fish heads (which my cats would REALLY be happy with):

Cats and Fish Heads

Something that also often happens when you’re a white dude walking around aimlessly with a camera is that the “auto rickshaw” (the three-wheeled yellow things) drivers will try and get you to ride with them. This one fellow was harassing me, and when I explained I lived “right over there” and was just taking pictures, he got pretty excited about that and wanted me to come over and take a picture of him and his colleagues in their “open air temple.” It’s a DIY job but no less important or meaningful I guess – the cement pad they are all standing on is a part of the temple and we all understood I would either have to take my shoes off or walk around a parked car to get the best angle. So that’s what I did:

This other guy, on the other hand, just wanted his picture taken:
Rickshaw Drivers

And finally, I spent some time watching some kids play ball in the park. Er, cricket.

Cricket

There’s more to tell, but I’ll save the rest for tomorrow – check back in 24 hours!

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Driving in Chennai: Timelapse

In time-lapse photography, it’s common to keep the camera pretty still and let the subject do the moving – or if at all, to move the camera very slowly.  But it can also be fun to do a moving camera time-lapse, especially when you want to convey something about the sometimes frantic (at least to a foreigner) nature of traffic in India.  To emphasize this aspect of traffic, rather than taking frequent photos to be able to blend movement together, it’s fun to space the individual shots out, and let gaps develop that your eye (and brain) can’t fill.  Because that’s sometimes what the traffic is like here – vehicles appear out of nowhere and then they’re suddenly gone again.  And while you want to hold the camera still, it’s not that critical, and the slight movement also mimics the potholes and bumps we encountered in real life.

I had posted this video a couple of days ago, but it occurred to me that it might be fun to add some music by Philip Glass.  Francis Ford Coppola uses this music in a very similar situation in his film “Powaqqatsi” – using timelapses to show the frantic pace of modern city life.  So yeah, that’s not real original.  For now, whoever owns the publishing rights to the song is not making a stink about me using it on YouTube.  We’ll see if it lasts.

Just for comparison, I also include similar timelapses I did in Windhoek, which has much less, more orderly traffic; and the Avenue of the Giants – basically just big trees and not a lot of cars.

Driving in Chennai

Driving in Windhoek

independence Avenue from Tom on Vimeo.

Avenue of the Giants

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Afghanistan: The Power of Photography

Free and open media are at the heart of maintaining a free and democratic state.  This is especially applicable to photojournalism, due to the power of photographs to convey emotion and meaning often eluding other media forms.  This was a key component of the thinking that led me, in 2009, to conceive of a photo contest called “Afghanistan Matters.”  This contest invited people of all walks and nationalities who had seen Afghanistan first-hand to submit photographs in four broad categories to a contest being sponsored by the NATO headquarters employing me at the time.  The hope was that we would contribute to broadening the scope of images available on the web, beyond photos of war and violence that tended to dominate the mainstream media, then as now.  I was hoping to tease a few Afghan photographers out of the woodwork to help tell the story of an Afghanistan trying desperately to move beyond the war ruling the country for what is now approaching four decades.

Because photography helps keep a government honest.  The Taliban knew this, which is why they banned photography while they were in power.  In the years since the Taliban’s removal from government, in spite of all of the other challenges Afghanistan has continued to face, there has emerged a growing number of photojournalists and hobby photographers.  Not only are they telling stories that desperately need telling, they are helping to expose and limit the inevitable abuses that occur in a vulnerable democracy occupied by foreign militaries.  And it is important that Afghan photographers continue to have the freedom to tell these stories  – especially as the international community withdraws and a young Afghan government grapples with the temptation to clamp down on critical voices from the media.

Alexandria Bombach and Mo Scarpelli, a pair of young filmmakers from Brooklyn, are working to protect the freedom of Afghan photographers in an uncertain future.  They’re working on a feature-length documentary about four talented Afghan photographers who have risked their own safety over the last decade to explore new media freedoms and tell the stories of the Afghan people.  Via a kickstarter campaign, they are hoping to raise a total of $40,000 – a pittance, really, for a film – to finish their film on these four photographers and the importance of the work they do.  I encourage you to check them out; if you’ve never donated to a Kickstarter campaign before, it’s pretty cool because you always get something in return, besides just helping them launch their project; for example, in this project, you can donate $35 and get a DVD of the film when it’s finished.  Which is a pretty good deal if you think about it.

Take a look at the imagery they’ve collected so far and use that to gauge whether you think they’ll produce something you’d like to own someday – and whether their story needs telling:

Update:  I’ve since received my copy of “Frame by Frame” – a few years later than I’d hoped, but my wife and I found it to be an excellent documentary, well worth the watch.

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Impressions of Chennai: Protecting Buildings from the Evil Eye

There’s lots of construction underway in Chennai, and one thing the visitor notices early on is that larger construction sites tend to have a scarecrow-like dummy – clothing filled with straw, with a cloth head attached – strapped up somewhere prominent.  If you look closer, you’ll also see a round yellow disc (in most cases), roughly 18 inches in diameter, with a stylized angry face, stuck somewhere on one of the walls.  This made me curious:  what’s up with that?

Dummy

A closer look:
Dummy

Mask-like object from another construction site:
Evil Eye

 

Initially, I suspected some form of what outsiders would characterize as superstition.  But googling for an hour or so using the terms “construction”, “superstition” and “India” turned up nothing about these strange dummies and faces.  I had heard previously that astrology is a key aspect of daily Indian life; many, if not the majority of Indians will consult an astrologer to determine when the best time is to undertake certain activities, and will take careful note of a wide range of events considered to be positive or negative omens.  This website gives some examples of positive and negative omens in India.  And if you check out that website, be sure and scroll down to the comments, which reveal just how seriously many Indians take these considerations.

But it turns out that almost every aspect of housing construction has detailed beliefs, guidelines and principles that must be observed to ensure the well-being and good fortune of the building’s eventual inhabitants.  Vastu Shastra (or Vaastu Shastra) is an integral part of Indian architecture which can be compared to the Chinese feng shui.  It dictates not only the layout of a house, but when key events in homebuilding should take place, describes rituals to be performed at specific times and intervals, specifies the sequence of work and tasks to be performed in homebuilding, and virtually every other aspect imaginable.  Again, consulting the site is instructive, including a look at the comments posted by readers.

But in spite of the wealth of information I found about homebuilding and construction, I could find nothing online to explain the presence of the dummies in Chennai.  But finally I figured it out.  It turns out that the practice of displaying a dummy and the faces above at construction sites is to ward off, or absorb the “evil eye.”   Essentially just another word for the envy of others, the evil eye is said to bring misfortune to those it afflicts; this website explains more about the evil eye in the Indian context, as well as a bit about the symptoms and some remedies for the afflicted.  It talks about the practice of hanging an “effigy of a fully clothed man made of hay with a pronounced exposed phallus.”  At this point I consulted my photos again, wondering if I had missed this detail (I had not).  For another source of information on “evil eye” you can also consult this website.

So now that the mystery is solved, I’ll be keeping an eye out at other construction sites in Chennai (there are many!) – maybe I’ll even come across an effigy with a “pronounced exposed phallus” (if not, that’s OK too).  And I’m a bit worried – having briefly looked over some of the principles of Vastu Shastra, I’ve determined that the house we’re living in is built completely wrong.  Maybe it’s time to put in a maintenance request with my employer to bring in some heavy construction and shift some of our rooms around!

 

 

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R.A. Puram, Chennai in Photos

There’s something both scary and exciting when you get off a plane in a strange foreign country, knowing you’re going to spend the next two years of your life here, whether you like it or not.  The first thing that hits you is the humidity.  Then, all your bags collected, you head into town and the next thing you notice is the traffic, which even at 2 am when we arrived seems like complete chaos, yet it somehow seems to move with a logic and a rhythm fully understood by the locals.  The sights, sounds and smells over the next few days are exhausting, though you’re safely behind the glass of an air-conditioned automobile being driven by someone who does this for a living.  But to really get a feel for what’s going on in this sprawling city of 8 million, you have to venture out on foot into the thick of things, in small portions at first but nevertheless you have to do it.  Otherwise, you might as well study a place from books or from the internet – no need to actually go there.

The neighborhoods in Chennai all have a bit of everything, all mixed up and pell-mell.  They all have different names known to the locals, so that if you tell a delivery person your street, they will insist repeatedly that you give your specific location – by which they mean your neighborhood.  Each neighborhood has a “First Street”, or a “Second Main Road” and you walk 5 or 6 blocks and you’ll soon see a “First Road” and a “Second Cross Street” and you soon realize you’re going to need to figure out where each neighborhood begins and ends.

Our particular neighborhood is Raja Annamalaipuram, which everyone calls “R.A. Puram.”  I’m not sure where it ends and begins, but I know we’re in it.  So today I decided to take a walk around that neighborhood, camera in hand, and capture different sights which probably exist a hundred times all over Chennai – but they’re new to me.  As you look at them, imagine the locals’ reaction to seeing a foreigner taking pictures of seemingly commonplace things in their neighborhood.  What a sight I must make.

To start out, I stepped outside and noticed the neighborhood security guards had decorated the small Ganesha shrine set into a stone wall with hibiscus flowers.  Can you spot the gecko?

Ganesha

A bit farther on, we have one of the neighborhood mailboxes. I’m not sure how often it’s emptied, but it’s useful as a reference point when giving directions.
Mailbox

 

A few more random shots:

Traffic takes all forms

Ad Space

Cart

You’ll see these carts up and down the street – they belong to street vendors. In the background, the clothesline is in what is essentially a vacant lot (but overgrown), and in that lot some people have set up improvised housing. This is what I mean when I say the neighborhoods are somewhat ramshackle; 400 meters down the street is what they call “Minister’s Housing”, and the area between is filled with street vendors, regular (but small) shops, and a canal I’ll mention later.

The woman in the photo below came riding along in traffic on her bike, and came upon 4 cows standing in the middle of crowded traffic, so she jumped off and started slapping the cows on the hindquarters to shoo them away.  There are cows in the streets everywhere; where do they go at night?  When I went running this morning in the half-light before 6 am, I heard a rooster crow nearby – looking up to my left, I saw someone looking out the window of a 2nd floor balcony; the rooster was standing on the rail of the balcony.  At the time I wondered if the chickens are kept indoors?

Mother and daughter

Hanging Out

The young guy standing in the photo above stopped me and asked me to take his photo.  Then he looked at my (pretty fancy) camera and asked if I was going to sell the photo.  I assume he wanted a cut.  When I told him no, he shook my hand and introduced himself.  Notice the “pickup truck” bicycle in the foreground – very handy to have.  Behind me is the R.A. Puram train station, and the rail runs overhead (top left of photo).  The whole time I was taking this photo I was pretty much holding my breath.  The men are sitting on a bridge running left to right, which crosses over a canal that runs underneath, and it stinks to high heaven of sewage and is the color of filthy dishwater.  To be blunt.  But it doesn’t seem to bother these guys, nor does it bother the men who are sitting here every time I pass by – including at 6 am just after the sun has risen.

A bit further down the road is one of the small temples found all over.  Mornings, someone is inside ringing a bell, praying or getting things set up.  As I was walking by, a Mercedes pulled up and the passenger jumped out, went into the temple for thirty seconds, came back out, and they drove off.  Presumably they were in a hurry to get somewhere, but she needed a little religion first.  The photo below that is a close-up – notice the temple keeper peering out on the left side.

Temple Visit

Temple

Finally, a couple of street vendors/entrepreneurs who graciously allowed me to take their pictures. The first one makes his living ironing clothes. There is no electricity; he uses one of those old-time irons you fill with hot coals (?). The second is a shoe repairman. He proudly explained he’s finishing a job on a pair of shoes that needed new soles. Where I come from, we just throw them in the trash…but here, it’s a way to make a living.

Entrepreneur

Cobbler

Tomorrow I’ll post about interesting views concerning home and building construction – what Westerners would call superstition. But this is serious business in southern India – hopefully you can check back in.

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The Mars Reality Show Has Begun!

If you haven’t heard about the private-sector “Mars One” project to colonize Mars, you should check it out – I posted about it back in April.    The project envisions being largely financed by the proceeds of a reality show to eventually beam back to Earth as the 7 billion of us who stay behind follow the exploits of the first colonists.  Well, the project has been accepting applications for a number of months now, and there are over 100,000 people vying to be among the first humans to leave Earth on a one-way trip to Mars.  National Geographic has given us their favorites, and you can add your voice to the growing number of people supporting the applicants by checking out the Mars One Applicants website as well.  The top applicant (by public vote) is a 36-year-old Filipino man, with twelve million “likes” – more than five times the next most popular applicant, from China.  Oddly, he managed to get twelve million “likes” despite having only 15,000 views.

However, it’s not clear (to me, anyway) whether the Mars One organizers feel bound by public opinion; one would think that being able to communicate with each other, having a good balance of skills, and things like resilience and physical fitness would be bigger factors.  Or maybe just TV watchability.

Check out the applicants here and decide for yourself.  And there are still two weeks left until the application deadline!

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Namibia: Skeleton Coast and Damaraland

Although we’ve just moved to India, waiting for our things to arrive means there’s time to finally catch up on those blog posts I didn’t have time to do while we were getting ready to leave Namibia.

This is the final trip we took within Namibia, a country that is far too large to be able to visit everything worth seeing in only two short years.  We had scheduled this trip twice already, but cancelled each time due to illness.  This time I was again sick with a fever – and throughout the 4-day trip this illness was passed around from family member to family member.  So we each spent about 24 hours out of commission in the car or the hotel room – but we were determined not to cancel this last time, only a week before leaving Namibia for good.

skeleton

Namibia’s entire coastline is protected; in the northern half, it’s the Skeleton Coast Park, an ominously barren stretch of hundreds and hundreds of miles of desert that meets the sea, and has earned its name by claiming the lives of countless sailors and their ships, both of whom have left skeletons littering the beaches up and down Namibia’s northern coast.  Only the southern half is accessible by car; in the north, you need a special permit and can only come in by plane.

We started our trip by heading north along the coast from Swakopmund.  The first section is somewhat monotonous; you are anywhere from about 300m to 1 km from the sea, and on both sides of you are nondescript gravel and desert.  I once ran a marathon that started in Swakopmund, went north 21 km and then you ran around a cone and came back; it’s almost ramrod straight, with few rises and falls, nothing to look at besides the 70 or so other runners that quickly spread out, and the most boring marathon I’ve ever run.  But as you go along, you will see strange lichens and hills in the distance, and the wildness of the coastline will gradually grow on you until you reach Henties Bay, a vacation home town where we spent our first night.

Sunset at Hentiesbaai

Hentiesbaai at Dusk

From Henties Bay we continued north until we reached the Cape Seal Colony at Cape Cross.  If you ever decide to do this trip yourself, you should check to make sure the seal cull is not underway.  This annual event causes a great deal of controversy surrounding Namibia; personally I’m not excited about the idea of clubbing seals, but the number of seals culled in Canada, for example, exceeds the size of the entire Namibian population.  But due to the criticism and the sensitivity of Namibia’s tourist industry, access to the site will be blocked certain times of the year, with only the activists trying to sneak in to take video and photos.

The seal colony is a complete chaos of noise, smells, and activity.  There are desert lions that roam the nearby desert who have not found this colony yet – one wonders what will happen if/when they eventually do.

Seal

From Cape Cross, it was north for hours and hours.  The landscape constantly changed but it was very subtle – you’d look out the window and suddenly realize the desert was a different color, something like that.  If nothing else, you get a pretty good understanding of why it is recommended to bring along plenty of extra water and food, emergency tool kits, sunscreen, duct tape, whatever you can think of.  We were lucky to see a car per hour.  If you bring along some sort of guide, you’ll know when to pull off the main road and see the few wrecks that dot the coast along this portion of the route, along with an abandoned mine and oil derrick – it’s good to get out and walk around, you get a sense of why they call this place “Skeleton Coast”

Skeleton Coast

Skeletons in the Coast

Oil Derrick at Skeleton Coast

Heading north, you’re eventually forced to turn inland and head directly east, where the landscape changes almost immediately. Soon, you are heading into Damaraland – a sparsely populated land of red rock, towering mesas and endless valleys. Occasionally you will pass a small village of ramshackle improvised housing and rusting cars scattered around. Tables are set up by the side of the gravel road with interesting rocks and semiprecious stones, typically with an oil can to deposit your donation.

You will also start to notice odd plants scattered among the red rocks. This is welwitschia mirabilis, an odd, prehistoric-looking plant that grows two leaves throughout its long life, which can be 2,000 years or longer. These plants grow in the most austere conditions imaginable and come in both male and female form.

Welwitschia

Welwitschia

Damaralandscape

 

Eventually we turned north and headed up a steep mountain road late at night to be greeted by the friendly staff at Grootberg Lodge, the only lodge fully owned by a conservancy.  When we awoke the next morning and looked out the giant picture window from the bedroom, we were greeted by the most spectacular view I’ve ever seen from a Namibian lodge – or any lodge, for that matter:

Grootberg Lodge 2

Getting up and down the final hill to Grootberg Lodge is an adventure, but can be done in a basic 4×4. If you can’t make it, they let you park at the bottom and bring you up.

For the final night of our trip, we headed back down the long road south, from the southern edge of Kunene region back into the heart of Damaraland.

Damaraland Road

There we would visit the attractions in and around Twyfelfontein.  Twyfelfontein and surrounding areas are the site of thousands of rock engravings which are thousands of years old and collectively form Namibia’s first World Heritage Site (it now has a second, the “sand sea” further south).  None of the attractions take very long to see, and it’s best to go early in the day before it gets very hot.  But the entire region is spectacular in terms of natural beauty, and well worth a visit if only for that reason.

Twyfelfontein Rock Art

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Eventually, however, it was time to head home and continue preparing for our move to India.  On the way we would get one last opportunity to see the Brandberg, Namibia’s highest mountain (and clearly visible and distinctive on the satellite photo at the start of this post, as well as from space).

We’ll miss Namibia – but adventures await!

Brandberg

For additional photos, refer to our Damaraland/Skeleton Coast set on Flickr.

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Chennai Snake Park

One of India’s few urban national parks sits in the center of Chennai. Guindy National Park, India’s 8th smallest national park, is also host to a snake park. The Chennai Snake Park Trust, founded in 1972 by American herpetologist Romulus Whitaker, is a fun place to spend a few hours and check out not only the snakes the park sets out to protect, but also a variety of crocodilian species, lizards, and tortoises/turtles.

Several times a day there is a demonstration to get to know some of the snakes a bit better, in which the announcer reinforces the point that “of India’s 242 snake species” (some estimates go up to 270) only four species are both venomous enough to kill humans, AND common enough to pose a real threat.

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Chennai: Early Impressions

Driving in Chennai can be a harrowing experience, especially for a newly-arrived foreigner.  And it typically takes more than a month to get your Indian driver’s license.  So when you first get here, you’re somewhat limited in your movement, and you really get a feel for how important mobility can be.  It’s even worse when, like us, you can look out the window and see the car you purchased more than a month ago from someone leaving Chennai, just sitting in the driveway.

Fortunately, however, it’s pretty much standard practice to hire a driver here.  Which is not to say you can’t drive yourself; but the fact that diplomats can only buy one car tax- and hassle-free, the driving is so crazy, everything takes longer here, and parking is so difficult to find, means that having a driver is pretty much indispensable because it helps you mitigate a lot of those problems.  Plus you’ve got someone who knows their way around the city in case you’re looking for something particular.

For an idea of traffic, here’s about a minute’s worth – most of it on a public holiday, when traffic is relatively light.  Now imagine rush hour (or you can click on all the suggestions YouTube will surely offer when mine is done):

If you could push a button and suddenly cause all the horns in Chennai to stop function, I think traffic would grind to a halt.  So anyway, we were in the market for a driver, and hired a couple of drivers for a day each, as a part of a “test drive” to see if we’d hire them permanently.  This got us out of the house for the weekend, allowing us (in addition to the MALL!) to see other parts of Chennai.  I’m sharing these impressions and photos below.

Ladies Walking

Above is a photo in one of the banking/business districts. The beach – one of the world’s largest (more on that later) is just beyond the end of the road. Below is another area, fewer banks and big buildings, more small shops:

Chennai Street

The part of town above is called Mylapore, and is known for having a lot of jewelry shops. That neighborhood also has a temple nearby, the roof of which can be seen in the background of this photo of a man delivering gas bottles by bicycle:

Gas Man

Here’s a close-up of the roof of that temple:
Temple Roof

Behind the temple is a large water reservoir, known as a “temple tank” used for ritual cleansing.  As we were taking a photo of the temple tank (below) and Indian photographer was taking pictures of us.  I asked if there was any significance to the water and he said there no significance to the water itself, but the Wikipedia entry says the water is reputed to be from the Ganges.

Temple Tank

After that, we headed out to the beach, which had received high billing from the locals we talked to, but was ultimately a bit disappointing:

Chennai Beach

Beach Houses

Lastly I want to share a photo of a couple of “Hindustani Ambassadors” – modeled after the British Morris Oxford from the 1950s, and manufactured at the same assembly line, virtually unchanged, between 1958 and today – which is sort of a record. They can be seen all over town in use by the police and government officials.

Hindustan Ambassadors

Want to see more photos from our first outing in Chennai? Go here for a few more.

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Southern SuburbIndia: Kolams and Cows

Every morning, all across southern India, millions of women wake up at sunrise to draw what’s known as a “kolam” at the entrance to their home.  Kolams are geometric designs hand “drawn” by sprinkling rice flour (or in some cases other substances) on a freshly-swept and watered piece of pavement.  I see them on my early morning runs, along with any number of other things.  Every day, something new!

To give you a sense, I took a walk down a random street in my neighborhood:  all of the photos below are on a 200 meter stretch of road the view immediately below being from one end.

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Just for interest, this is the street sign using the standard marking system:
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And here are the kolams:
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The kolam below is larger than normal, as it is drawn in preparation for a wedding to take place over the next few days.
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And last but not least, cows wander through traffic with complete impunity. This one is taking a break at the end of the street.
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