- Ektachrome Returns!
- Rice Harvest in Antananarivo
- Great News: Jerome is Learning English and Coding!
- Swimming with Whale Sharks in Madagascar
- …but what’s there to do in southern Madagascar?
- Vintage Camera Test: the No. 1A Autographic Kodak Junior
- My Experience with Kodak AEROCHROME
- Making a Camera Work: The No. 2 Folding Pocket Kodak Model C or Maybe D…
- Results, #ShittyCameraChallenge, October Edition
- Vintage Camera Review: No. 3A Folding Pocket Kodak No. B-4
Subscribe via Email
Tag Archives: film photography
In August 2017, the hosts of podcast Against the Grain discussed photographers’ tendency to immediately look at photos they’ve shot (chimping) and how film photography slows the process down, resulting in an increased emphasis on capturing the photo, without constantly worrying about … Continue reading
I finally got around to trying something a photographer friend suggested a couple of years ago. At the time, I was new to film photography and not trying anything too fancy, beyond simply getting the 50, 60, 70-year-old cameras I … Continue reading
A notification from 35mmc today with Hamish Gill’s review of Kodak’s re-released P3200 reminded me that I, too, recently shot my first roll of P3200 – I just hadn’t gotten around to sharing my results. I’m a little bit late … Continue reading
The main reason I returned to film photography, after years of shooting digital, was the feeling of nostalgia – remembering the washed-out square prints from my Kodak Instamatic, with the colors that weren’t quite right, and the horizon that sort … Continue reading
I recently had a query from someone on whether I would teach him how to process his own film. Unfortunately I’ve only been at it for about 9 months, far too short to be in any position to teach on … Continue reading
Sometimes I’m not sure whether these posts I do on whether or not I’ve been able to make these vintage cameras work are more about the cameras, or about the content of the photos I’ve managed to snap. This is … Continue reading
There’s this whole experimental back-to-film movement where people are doing things to get weird and unexpected effects. Like using Lomography “purple” film, reversing the way your film faces to get “redscale” pictures, and “cross processing.” Cross processing is either processing … Continue reading
In today’s world of camera that are fully automatic, and only the hard-core photographer bothers to worry about and understand concepts such as aperture and ISO, managing to get decent photos from a camera where you must set everything manually … Continue reading