Found Film: Hannah and her Sister

This week we have one of three rolls found (by someone else) in a storage unit in Worcester, Massachusetts.  This set of film rolls is interesting in that they are all different types of film, and thus came from different cameras.  There is a fourth in the set, which I already posted a few weeks ago – a set of panoramic 35mm photos of the beach.  It’s unclear how this roll relates to the other 3 – they are completely different styles.  Nor is it clear whether the remaining rolls are all related.

It’s unclear to me how four completely different rolls of film end up not being processed by their owner(s?) and wind up in a storage unit in Worcester, Massachusetts.  These are the mysteries of found film.

In terms of time frame, the other two rolls have a few clues.  They also suggest the older of the two girls in this roll is named Hannah.  This is probably her camera, and it used 110 film.  I believe it’s from the late 1990s.

I believe this is Hannah, taking a selfie in the mirror.

I think this is also a “selfie”

Where are they now? Maybe someday we’ll find out.

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Chennai: Textures

I’ve posted before about Chennai’s endless walls and the fact that many of them get postered, painted, repainted and repostered.  This creates interesting textures; so much so, that one of my predecessors did an entire photographic exhibition on just that theme – and sold many of his photos to boot! When I heard about that, I started to pay more attention. It’s an endless theme.

I just thought it might be interesting to share what I’ve collected so far.

The first one is my background on Twitter!

Sometimes decay can lead to new life….

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Chennai: Grit and Grain

In Namibia, photography was all about long lenses, tripods, “the golden hour”, and finding the right guide. Since moving to Chennai, a large city in India, the lenses have gotten much shorter, shooting is sometimes instinctive; and sweeping landscapes have made way for the grit and grime of everyday human life, toil, and aging buildings. It’s been a perfect setting for testing out some of my older cameras, along with grainy black and white – sometimes expired – film. A recent photowalk near some of the city’s older buildings, and then through a neighborhood of car salvage entrepreneurs, drove this home.

We ignored a crudely hand-painted “keep out” sign to snap photos of this crumbling LIC (Life Insurance Company) building and within 30 seconds, were confronted by a man on a motorcycle who demanded to know why we were photographing a government building.

Something tells me the Bilal Hotel is not currently accepting reservations.

This neighborhood drugstore has seen better days.

These guys will repair your tires while you wait.

This fellow stopped and asked me for some money. My pockets were literally empty, and I told him so. So instead, he insisted I take his picture. Then he wanted to see, and I had to explain this was not possible on a film camera. He accepted this and offered a handshake and went on his way.

I love this guy’s paint job!

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Found Film Friday: Laguna Beach Photowalk

After last week’s “surfing” theme, I thought it would be fun to share another roll with a seaside theme.  This one is not that old, and it came with the same batch of film as “Michelle’s” fisheye roll, and “Mike’s” roll.  Like the other rolls, this one includes a “selfie.”  After having seen this batch of film that all came from a single seller, I imagine that “Mike” was the guy who would develop film for his friends, as these all appear to come from different photographers, but for some reason, this batch of film rolls just never got developed.

What’s interesting/different about this roll is that it appears to be from a “half frame” camera.  A typical 35mm camera produces negatives that are 35mm by 24mm.  But there were a few cameras over the years that would basically rotate the orientation of the film 90 degrees, and you would get “half” size photos, around 24mm by 18mm.  So in this case, a roll of 36 exposures actually produced 72 individual shots.  This came into vogue in the 1960s, because it allowed for smaller cameras (like the Olympus Pen, back in the day).  Once it became possible to make “normal” 35mm cameras in a smaller size, the half frame format sort of faded away again.

Like the other rolls in this batch, we can determine where and roughly when the photos were taken.  This is the photo that gave me the key info I needed:

Pat Tobin was a well-known area surfer, and a painter in his own right, who died in 2006. His friend, weatherman Dennis McTighe painted this mural in his honor in mid-March, 2006. It was just south of Main Beach, in Laguna Beach, California. From the condition of the mural in this photo, it looks like the photo may have been taken a few years later.

You can’t really tell for sure, but I’m guessing the photographer was part of a group.  Either that, or he really likes photographing other photographers in action.

Either is possible, I guess. Or both! I kind of like the photographer’s style. He was trying to be artistic in his composition. Nowdadays it’s easy to be critical, but you also have to remember, he took 72 film photos – one of every scene; nowadays you might take 5 or 10 different shots of the same thing using a digital camera – and you’d get instant feedback and know if your shot turned out how you wanted it.

Rather than put all the photos here, if you like what you’ve seen so far, I encourage you to check out the full set on Flickr. For this post, I’ll end with what I believe to be a “selfie” of the photographer.

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These Student-Athletes Can Use a Hand!

Those of you who know me may recall that in Windhoek, I was quite active in teaching Namibian teens to swim, and training them to compete in multisport competitions involving swimming, running, and/or cycling.  The story of one of these athletes is captured in this blog post.  A group of 4 athletes (and a chaperone) whom I taught and coached are now in a position to compete in Africa’s triathlon championships on April 12.  However, they won’t get there without a little help.  They’ve got an Indiegogo campaign that explains more – and only a few days left to meet their goal:

Why do they need help?  Here’s the background.  First, a little history:

Namibia has the world’s highest income disparity.  This means there are a very few “haves” and a whole lot of “have nots.”  The difference between the “haves” and the “have nots” is largely along racial lines, dating back to years of apartheid policy imposed by South Africa prior to 1990.  During apartheid, the government felt that it was pointless to give black (then-) South Africans any decent education, as they would not be permitted employment in any professions requiring it anyhow.  As a result, today in addition to an income disparity, there is also a skills disparity and an education disparity.  The government of Namibia has spent over 20% of the country’s budget on education since independence in 1990, but it takes time when most of your teachers are also lacking in education.  Recovering from years of enforced non-education is taking years, if not generations.

Enter programs like “Physically Active Youth.”  In the former township area of Windhoek called Katutura, the passing rate for 10th grade – commonly seen as the gateway to any sort of higher education – is generally about 35%.  Parents often are unable to help educate their own children, partly due to lacking formal education themselves, but also because of the need to work to put food on the table (unemployment estimates range between 35 and 50%).  So a couple of visionary youths established the “Physically Active Youth” program, which offers not only a place to study and receive assistance with schoolwork, but also life skills training, all supported by a sports framework which helps kids develop discipline, pride, and translates directly into improved academics.  As a result, a decade later, a large majority of PAY participants passes 10th grade exams, and many are going on to complete 12th grade and go on to university.

PAY has a cycling team that consistently ranks nationwide.  In addition to acting as role models for their peers, the cyclists help publicize the PAY program overall.  And many of the youths in the program are excellent runners as well.  But one skill that has been lacking in the black Namibian community in general is swimming.  So we started a swimming program in 2012.  And PAY kids started competing in local swimming competitions.  And triathlons.  And soon they started winning.  If you’re skeptical, refer back to this blog post. Seriously, have a look.

And they are giving back to the program by teaching their peers to swim.  And it all feeds back into improved academics and increased opportunities – not only for them, but for youths throughout the program and the community.

So that’s why they need your help.  Every little bit makes a difference.  And whether you can or can’t help, please share this post with your friends, and/or send them this link about the fundraiser: http://www.indiegogo.com/projects/pay-team-heads-to-zimbabwe-for-the-african-champs

Thanks from the teens at PAY!

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Swimathon: Bird’s Eye View

Last week I took part in a “Swimathon” in Goa, on the eastern coast of southern India.  Participants were to swim either 2 km, 1 km, or 250 meters in the calm sea.  It was a great set of races, and had lots of participation by a local swim club as well as members of the Indian military.  It was also a great opportunity to use my quadcopter and GoPro Hero, which attracted almost as much attention as the race itself.  Here, in order, are the outcomes of my efforts to film the 250 meter race and the 1 km race.  I didn’t film the 2 km race because I was in the water myself!

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“Blessed:” My Entry for the “India Is” Video Contest

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All living things love their life, desire pleasure and do not like pain; they dislike any injury to themselves; everybody is desirous of life and to every being, his life is very dear.”

–  from the Yogashastra (Jain Scripture), from around 500 BC.

While on an early morning photowalk at Marina Beach in Chennai, India, I saw an amazing sight.  Thousands of pigeons, swirling in the early morning light.  As photographers, we were captivated, and others passing by also stopped to have a look.  Marina Beach is surprisingly crowded at sunrise.

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The pigeons made for great pictures. But I was interested in the people feeding the pigeons.  There had to be more to this, beyond just wanting to feed the birds.

It turns out that these were Jains, adherents of one of the world’s oldest surviving religions.  Joined by others they have inspired – from multiple faiths and communities – they gather every single day starting at 5 am to feed nearly 10,000 pigeons, as well as crows and stray dogs. Think about that – how often do you get up at 5 am?  They are at the beach at 5 am every single day. 

Jainism prescribes a path of non-violence towards all living beings and emphasizes spiritual independence and equality between all forms of life.  Jains also believe in karma, the purity of the soul, and that reality and truth are perceived from multiple perspectives, and no single view is complete, as illustrated by the well-known parable of the blind men and an elephant.  They believe in looking after their fellow living creatures, no matter how humble or insignificant.  Pigeons hold a special place in Jainism (read this story for an example).

So every day, the first couple of guys arrive in an auto-rickshaw, or “tuk-tuk”, and they carry 50-kilogram sacks of grain out to the sand.  Six of them.  Costing about 8,000 rupees, or US$ 130.  They lay out a design in the shape of a swastika – a Jain symbol of auspiciousness since thousands of years before Hitler corrupted this symbol for his own ends.  Then as others arrive, this symbol gets filled in with grain.  Visitors like me are invited to take part, to share in the service.  Then they sit and wait for their guests to arrive.

This happens every single day of the year.  In any weather.  I thought it was pretty amazing, and decided to make a short documentary about it.  I’ve entered it in the “India Is” video contest hosted by the Indian Ministry of External Affairs.  With lots of helpful feedback from my family, I think it turned out pretty good.

For more pigeon photos from the beach, you can check out this set on Flickr.

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Found Film: Everybody’s Gone Surfing

Found Film: Surfing

This week’s found film has a little bit of a story to it. It was found by someone in a storage unit in Worcester, Massachusetts. I wrote them back and asked for more details, but didn’t get any. But anyhow, the film was advertised as “4 exposed rolls and 2 unexposed rolls”. They were 35mm rolls and still had the film tabs sticking out, albeit only 3/4 of an inch or so. To make sure they were unexposed, I cut off about 7 inches from the “unexposed” rolls and processed them. Nothing on them, so I assumed they were safe to use in photography.

So I used another piece of one to try and load a 126 cartridge. Only about 6-8 inches to just snap a couple of shots. But when I processed it, I found the photo at the top of this post on the film. Meaning the film had been exposed after all.

The film itself is slide film, which I processed as normal film – this is called “cross processing” and can give odd color shifts, but it’s just for fun, and I don’t know how, nor do I have the chemicals to process slide film. All the shots I got back were panoramic – in other words they were “double wide” 35mm shots. Who knows what camera was used. But all variants on a theme, and I think some of them are pretty nice. Here is a selection:

Found Film: Surfing

Found Film: Surfing

Found Film: Surfing

Found Film: Surfing

Found Film: Surfing

Found Film: Surfing

Found Film: Surfing

Found Film: Surfing

Found Film: Surfing

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Testing the Ansco Regent

Sometimes I’m not sure whether these posts I do on whether or not I’ve been able to make these vintage cameras work are more about the cameras, or about the content of the photos I’ve managed to snap.  This is one of those posts, and explains why I’ll share more of the photos from the roll than I usually would.

Ansco Regent

The Ansco Regent doesn’t appear to have been a particularly memorable camera, nor sophisticated for its time. Most of the ones you’ll read about online have sentimental value (“my grandfather’s old camera”) and often damaged or aged bellows have rendered them unusable. The Regent is a 1953-ish 35mm camera that was actually just an Agfa Solinette II, manufactured in Germany, important and rebranded by the Ansco company. A German Wikipedia article on the Agfa version characterized the 1952 Solinette as “obsolete pre-war technology.”

It has aperture settings from f/3.5 to f/22, shutter speeds up to 1/300 second, and among other things, has a handy indicator on top of the lens to help control depth of field. Mine has a 50mm Apotar lens and Prontor shutter, and the camera is focused by a ring which moves the entire lens/shutter assembly. It has a timer, but the shutter has to be cocked manually with a switch on the side of the lens.

Mine is a bit tricky to operate, because the grease inside the lens which lubricates the focus mechanism appears to have gummed up. The teeth on the ring are pretty painful and it’s tough to get a grip, but by brute force (and a screwdriver) I was able to force the ring loose (it was frozen in place), though I needed a coin or another metal object to help me focus the camera when I was snapping photos. I thought about disassembling it and cleaning it, but the company seems to have favored rivets over screws. I decided to see what kind of photos I could get out of it before making that decision.

Art Contest

I chose as my venue the Mylapore Festival (I’ve posted about previously) that took place in early January.  The festival included many different community and family-oriented activities, including a kids’ art contest (photo above) and both adult and kids’ “kolam” contests (photos below).  I was really impressed with the sharp, colorful photos I managed to get from the camera in spite of the less-than-enthusiastic reviews.

Kolam Contest

Kolam Contest

The women were allocated one of 100 squares marked out on the city street.  Nearly every square was taken on both days the contest was held.

Kolam Contest

You don’t have to be Indian to participate.  Nor do you have to be a woman.  But they formed the large majority of contestants.

Kolam Contest

Kolam making is passed from generation to generation.  Most designs start with an array of equally spaced dots.  The design is formed using rice flour.

Girls of all ages participated in the younger iteration of the contest. Many of the younger girls had their grandmothers helping or coaching.

Girls' Kolam Contest

Girls' Kolam Contest

Girls' Kolam Contest

I also took shots around the neighborhood which I’ll share below. Some of the photos have bright spots or “smears” on them. These are evidence of a pinhole or two in the bellows, allowing light in. This can make for interesting effects, but not always desirable ones.

Ladies

Street Vendor

Piled Debris

Kids Being Nonchalant

These kids really wanted us to take their picture, and they were all laughs and smiles. Once I agreed to take their picture and lined up the shot, they all turned somber on cue.

Carousel

Carousels come in all sizes.

Building

Ice Cream Makes You Happy

This kid is definitely in need of some ice cream. And I’m going to have to figure out where the bellows are leaking light.

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Found Film: Seasons

This week, I thought I’d post TWO rolls of found film. One roll has suffered quite a bit from age, and the other only had a couple of usable photos on it. I’m titling this post based on the photos having been taken opposite times of year. There is no other relationship between the two rolls of film.

The first roll comes from a Foldex 20, a folding camera made by Pho-tak in the 1950s that looks suspiciously like the Rollex 20, a camera made around the same time by the United States Camera company.  As of this writing, the camera itself (actual camera pictured below) can still be purchased on eBay from the person who sold me the film).  I’m throwing in the pictures for free.

foldex

The film (and camera) came from North Vernon, Indiana – a town of around 6,700 people, which would have had around 4,000 people when this camera was new.  Here’s a picture of the town’s main street:

north vernon

If the camera’s original owners lived in or near North Vernon when they took these pictures, I don’t think they lived downtown.  Here are the photos I was able to retrieve from their film.  Know any of them?

Found: Winter in Indiana

Found: Winter in Indiana

This is probably their view from the place. Not bad!

Found: Winter in Indiana

And just for fun, this is probably the result of having accidentally pressed the shutter button while the camera was moving. Happens on those older cameras sometimes.

Found: Winter in Indiana

And now that we’ve seen winter in Indiana, let’s have a look at roll number two. This one also comes to us from the midwest, but we have no clues other than we think it came from Alliance, Ohio – a town of 22,000 that experienced its heyday in the 1960s, when it was home to 28,000 people. The film being shared in this post is the one on the left, with the red backing paper. The one on the right was shared with you last week.

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I suspect both rolls probably came from the same photographer and camera, as they both gave me similar  challenges, probably from the way they were stored over the years – the backing paper was stuck to the film, and there was some rust on the inside of the spool.  This week’s roll also had quite a bit of fungus on the film, which makes it difficult to tell much, other than most of the photos being from some sort of fishing trip to a lake.  They seem clearer at smaller size, which is how I’ll reproduce them here.  Enjoy!

Found Film:  Fishing Hole

Found Film:  Fishing Hole

Found Film:  Fishing Hole

Found Film:  Fishing Hole

Found Film:  Fishing Hole

Found Film:  Fishing Hole

Found Film:  Fishing Hole

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Three Vest Pocket Kodaks

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These are “Vest Pocket Kodaks” – of which nearly two million were produced, from about 1912 to the early 1920s.  I’ve blogged about one of these cameras before – to sum up, they represent an important step in the miniaturization of cameras, making them the first mass-produced cameras that could actually fit in a vest pocket.  As such, they wound up in innumerable soldiers pockets in World War I, earning them the nickname “soldier’s camera.”

The cameras pictured here did not spend any time in World War I, as their serial numbers place them in the very late teens and/or (most likely) early 1920s, at the earliest.  The two outer cameras have serial numbers on the backs of the little “feet” propping them up; the inner camera is a “model B”, produced well after the war.  Unlike the very early models, they are “autographics” – meaning they have a little window in the back which could be opened, and, using a metal stylus (shown on the front of the middle camera but attached to the back of the others), the user could scratch some information about the shot on the back of the film, expose it to the light, and have that become a permanent part of the photo.

vpk

I have been struggling to get decent photographs out of all three of these cameras, and despite the sunny description in the ad above, it can be a challenge.  The struts that fold out when you extend the bellows are a bit delicate, and it is easy to inadvertently use the camera without extending it fully.  Also, the cover that is removed to allow film loading (facing you in the photo above) is held in place using the small switch in the middle – which is easily moved, allowing the cover to fall off and exposing all the film.  Plus, with any camera nearly 100 years old, the leather bellows almost always have pinholes.  They are tricky to detect and can be temporarily covered with electrician’s tape, but are best closed with a tiny bit of gasket material, or a mix of white glue, a drop of dish soap, and black coloring.  Don’t bother trying to fix anything bigger than a tiny pinhole.

But after a number of attempts, I have managed to get pictures of some form from all three.  They’re not going to win any prizes, but I find it amazing that a 100-year-old camera can produce photos at all.  Will your DSL be able to do that in 20 years?

So going from left to right, here are my best photos so far.  The far left camera was produced from 1915 to 1925, and this one, serial numbered 1053829, is most likely from 1919 or 1920.  It clearly still has an undiagnosed light leak – but this is a good start. The second photo is a sideways shot of the temple room seen in the first shot.

Man at Temple

Temple

The middle camera is the newest of the three. It was produced from 1925 to 1934 and was also marketed as the “Boy Scout” or “Girl Scout” camera. Instead of folding struts, this model uses a folding bed that opens up, and then the bellows portion slides forward. It can also be a bit tricky. The first time I took this one out for a spin, it had light leaks, which I have since repaired.

Mother and Child

Kolam

Horn

Finally, the camera on the right, which is actually the first one I acquired. This one, numbered 1237896 and acquired in South Africa, is most likely from 1920. The photos are from a construction site in Windhoek, Namibia – I thought the light and shadows would be a good way to see how it performs. The third photo is an accidental double exposure, which often happened back in the days when these were made.

Windhoek Construction

Windhoek Construction

Windhoek Construction

If you’ve got one of these cameras and are wondering where you can get film, there are still a very few places that stockpiled 127 film and will still sell it to you for a pretty high price (in my opinion.  It’s supply vs demand – not judging!)  Another alternative is to buy a few 127 spools, use a sharp knife to cut down a roll of 120 film, and respool it in complete darkness.  The slightly differing lengths may make the diameter of the roll slightly larger, which can cause a tight fit.  Finally, I’m told there are also people who simply spool 35mm film onto the 127 spools.  You end up with sprocket holes in your photos and you have to either use a 127 backing paper or tape over the red window.

Like all cameras, they can be used to tell stories.  But imagine the stories these cameras themselves would have!

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Chennai’s Walls: an Endless Canvas

Chennai is full of walls.  Many of them are marked “stick no bills” – and people will generally abide by that request.  But the majority end up being political advertising space.

Walls

The successive layers of paint upon paint, posters upon posters are accepted as a part of the texture of the city, and are rarely examined in close detail – though one of my predecessors here has photographed walls like the one below and turned it into a profitable art exhibition. Without all the stuff I’ve included in the photo for context.

Sidewalk Storefront

But on a major street in Chennai, the Stella Maris College Department of Fine Arts has turned a 250-meter stretch of wall surrounding their compound into a giant artists’ canvas. I spent a morning photographing them, and thought others might enjoy browsing some of the individual pieces. The project is called, “The Trees and the Skies”, and is accompanied by the following description:

The concept is a metaphor to signify art that represents the rootedness of the trees and the open imagination of the skies.  The paintings envisage a change which can unite all people as we reassess the use of nature and our environment

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The gentleman sleeping on the sidewalk is not part of the exhibition – but is included for context!

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It’s hard to see how much detail is in some of these pieces.  Check out this close-up from the painting above:

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The previous painting is gloomy, but I like the caricature of the trucks we see all over town.  Here’s a close-up:

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Here are more examples and more close-up detail shots.  These are a pleasure to drive past every morning.  I imagine what if all the walls were painted with art instead of political ads…

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Some jerk left his bike here.  Oh wait, that’s MY bike…

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Found Film Friday: Dress-Up Dog

This week’s roll of found film is a roll of 620 panchromatic that not much is known about, other than that it came from an estate sale near Alliance, Ohio.  I had quite a bit of trouble loading it into the developer tank.  As I was unrolling it in the dark, it was extremely difficult to separate the film from the backing paper – the tape holding the end on had hardened and broke into little pieces once I could separate the film.

Then the backing paper was completely stuck to the film.  So I pulled it off anyway and loaded it into the tank.  I decided to soak it in distilled water, and after soaking it in the tank, shook it up and rinsed several times.  I was glad to see that the pictures turned out well anyway, with a few fibers still stuck to the film here and there, but not too many missing areas on the film.

Based on when this film produced, the people seen in most of the photos are likely still at an age that they would be living – maybe in their late 50s or 60s today.  As always, they have never seen these photos, probably taken by mom or dad.  Maybe they will someday.

One of them is this guy.

Found Film:  Dress-Up Dog

Found Film:  Dress-Up Dog

Found Film:  Dress-Up Dog

I like to imagine that here, he is thanking “The Big Guy” for something really Good. But I’m actually not sure the photo is oriented correctly. Is he pointing at something through a car’s sun roof? Is that a millipede walking on top of a sun roof?  Did they have sun roofs when this photo was taken? Did they have millipedes?

Found Film:  Dress-Up Dog

My favorite pictures on this roll, however, are these. Just a girl and her dog.

Found Film:  Dress-Up Dog

Found Film:  Dress-Up Dog

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Found Film Friday: New Baby AND a New TV!

Sometimes when I develop these “found” rolls of film I find it kind of sad that their original owners forgot to do so themselves.  This is one of those times.  The fact that I picked up these rolls on eBay suggests they came from an estate sale, which means the photographers are likely no longer with us.  The babies in the photos probably are, and they would be in their mid to late 50s, most likely.

All we know about the photos is that they come from the Pittsburgh area.  They came to me in a box – three rolls in total – and only one of the three rolls matched the brand on the outside of the box.  Still, it’s reasonable to assume they all come from roughly the same time frame.  The box itself was stamped “1964” in the “develop by” space.  And the TV that appears on one roll appears identically in one of the other rolls.

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The roll of Ansco film (the black one) that originally belonged with the box only had three usable photos on it – two of a (shiny new, I assume) Zenith television:

Found Film: New Baby and a New TV!

and one shot out the window, with a barely decipherable car:

Found Film: New Baby and a New TV!

But the other rolls were almost exclusively of children.

There’s this little guy, who clearly grew up in a home with hunting enthusiasts:

Found Film: New Baby and a New TV!

Or maybe it was grandma’s house. This may be his parents, who somehow don’t seem to match the home decor of the previous shot:

Found Film: New Baby and a New TV!

Here’s Junior again, enjoying the outdoors and wearing the same sweatshirt. So the pictures were mostly all taken the same day.

Found Film: New Baby and a New TV!

But wait – there’s more! There’s also this little guy:

Found Film: New Baby and a New TV!

He’s placed in various poses with large stuffed animals. The second one is, in my opinion, terrifying. Although our photographic subject appears nonplussed.

Found Film: New Baby and a New TV!

Found Film: New Baby and a New TV!

…and there’s also the family dog:

Found Film: New Baby and a New TV!

and is this some sort of a bunny suit? Posing in front of the fancy new Zenith TV, by the way.

Found Film: New Baby and a New TV!

And before you say, “well this is all the same kid, just at a later age”, let me share my favorite shots from this set of rolls:

Found Film: New Baby and a New TV!

Found Film: New Baby and a New TV!

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Badrian Street and the Flower Market

Badrian Street or “Budirian Street” as it is painted on the street sign, is the site of Chennai’s old wholesale flower market.

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While technically, the vendors in what is commonly known as “poo-k-kadai,” sell “wholesale”, their typical clients are ladies who buy less than a kilogram of flowers, typically to be woven into garlands using banana plant fibers.  It’s a fascinating area for photography, but economically quite fragile, as the businesses operating on the street have nearly been evicted several times because the authorities feel that wholesale fruit and vegetable sales should be limited to Koyambedu, a huge market in western Chennai.

Flower Vendor

A typical flower vendor here earns around 250 rupees per day (just over four U.S. dollars), after paying employees and fees to bicycle rickshaw drivers and the workers who carry huge sacks of flowers on their heads, with wide trays made of wicker and held together with bits of plastic.

Flower Transport

The owners claim they would never be able to pay the rent required at Koyambedu. And their clients, who often earn even less than they do, can’t afford to make the trip to the outskirts of town to buy a few plastic bags of flowers. So the market fills a niche in an economically vulnerable area, where it can be easy to fall between the economic cracks.

Sleeping

There are over 50 flower sellers sprawled along the edges of Badrian Street, which runs about 250 meters at the most. In the morning, it can appear chaotic as three-wheel cargo vehicles, customers, and the occasional photographer all pile through the streets. The street itself is typically covered with the debris of flowers: cut stems, leaves, and bits of flowers, along with the usual trash generated by high volumes of people. A garbage truck makes its daily rounds backing down the street, which makes a hard right angle at its north end, impossible for a truck to negotiate.

Flower Vendor

All of the vendors will gladly offer you a printed cardboard “business card” – typically two-by-three inches or larger – because Badrian street is also home to numerous small printing companies. And there are also other businesses, such as the occasional knife-sharpeners, who carry around what is essentially a bicycle wheel mounted in a metal frame/stand, which uses a belt to spin a sharpening stone.

Knife Sharpener

Badrian Street is an interesting place to visit, and its shopkeepers are universally friendly and happy to pose for the photos which, early mornings or late afternoons when the light is no longer harsh, almost universally turn out great because the lights used to illuminate the flowers and help open the buds really to a lot to create and emphasize highlights. If you’d like to see more photos from Badrian Street, be sure and check out this set on Flickr.

Rickshaw Driver

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Found: Michelle’s Fisheye Film

It’s “Found Film” Friday, and this week’s “found” roll comes to us from the same place as last week’s roll – but appears to be from a different photographer.  Among that set of different 35mm rolls, none of which appeared to be particularly old, one had been marked with permanent marker, “Dev for Michelle” (the 400TX roll on the bottom left):

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Unfortunately, Michelle’s friend never held up his end of the deal – he never developed her film, and not only didn’t return it, but it ended up being sold on eBay.  Maybe one day she will be able to track her photos down on this blog.

When I pulled the roll out of the developing tank, I was surprised to see that they all seemed to have a large circle on them.  I thought at first this might be from some kind of camera, but after researching and looking at the full roll, have decided she must have used some kind of fisheye lens to give her photos this appearance.

Found Film: Michelle's Fisheye Film

Found Film: Michelle's Fisheye Film

Found Film: Michelle's Fisheye Film

I believe we have photos of the photographer. Like last week’s photographer, she appears to have taken a selfie – though she is on about half of the photos where the camera is held by someone else. So it could be either of the women who show up in the photos. Here’s he selfie, followed by the other woman who shows up in the photos:

Found Film: Michelle's Fisheye Film

Found Film: Michelle's Fisheye Film

We also know the photos were all taken in Los Angeles. In or near Venice Beach. How do we know?  From this photo:

Found Film: Michelle's Fisheye Film

It appears to be a double exposure, but at least of the exposures in the above photo was taken from this exact spot in Venice, CA.  And through the magic of Google Street View, we can take a stroll down the street and see that the photo near the top of this post, with the guy standing near the phone booth, was taken here.

And we also know that the photos were taken within the last 7 years or so.  Probably in 2007ish.  From the photo below.

Found Film: Michelle's Fisheye Film

Michelle and her friends spent the afternoon in Venice, spent some time in a diner, and at a rooftop cafe.  Looks like they had a pretty good time.

Found Film: Michelle's Fisheye Film

Found Film: Michelle's Fisheye Film

Found Film: Michelle's Fisheye Film

Found Film: Michelle's Fisheye Film

Found Film: Michelle's Fisheye Film

Found Film: Michelle's Fisheye Film

Hopefully someday Michelle will realize that her film finally ended up getting developed. It’s here if she ever wants to have a look.

Found Film: Michelle's Fisheye Film

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It’s always hardest cutting your own video…

Why, other than a few hardcore fans, is a film’s director the only one who likes the “Director’s Cut” better than the movie that was released to the public?

It’s hard to delete the footage you worked so hard to get, or even sometimes to eliminate scenes altogether because they don’t help the “story” along, or make the video drag.  Nowadays especially, people want their videos in bite-size chunks – no one has the patience to sit and gaze at the scenes that looked really cool in real life, but now occupy a small rectangle on their computer screen.

It’s best to let someone else have a chance to chop out parts of your edited videos if you can.  As painful as it can be at times.  Or you can practice by taking other peoples’ videos and seeing where you’d cut them.  Many videos on Vimeo allow downloading in pretty good resolution.

Someone showed me a really nice video of South India on Vimeo the other day – six minutes of beautiful scenery, perfectly timed to a piece of Indian music.  And although “Joe Marshall” probably thinks I’m arrogant for having done so, I decided to see if I could take his beautiful footage and turn it into a much shorter, crisp version of his video.

The end result is a three-minute video, with no scene longer than 4-5 seconds, and I removed the pillarboxes and letterboxes (the black bars at the top and bottom of the video).  I hope you like it!  I have included the original for reference.

“South India” Remix from Tom on Vimeo.

South India from Joe Marshall on Vimeo.

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Goa is for the Birds – Literally

Boat: Abstract

Just north of Panaji, Goa’s “small but spritely” capital, where the Mapusa and Mandovi Rivers meet, is what appears to be an island – Chorao Island – which has 11,000 inhabitants, and whose western end is a 1.8 square kilometer mangrove forest known as the Dr. Salim Ali Bird Sanctuary.

goa

Looking at the map, it doesn’t really look like an island to me.  But it is definitely a bird sanctuary.

Apparently we really lucked out when we scored a time with local bird guide Uday, whose number I found all over TripAdvisor.  Goa’s Department of Tourism hasn’t yet figured out how to make the island accessible to tourists, but Uday has been taking tourists on boat rides around the island for decades.  He’s booked out every day, but we just happened to call him after a last-minute cancellation.

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We had the cab drop us at the Ribandar ferry at 6:15 (it runs at 6 and 6:30) and caught the (free) ride to the other side, where Uday met us on his scooter and zipped us over to his house – his house! – about ten minutes away.

Ferry

After a cup of green tea and some delicious biscuits, he led us down a muddy slope to his boat, we climbed in, and we started down the river.

Full Moon

Thanks to the full moon the night prior, we had arrived at an “especially low” tide, which, Uday said, would lead to increased bird sightings. We saw the purple heron below (I didn’t even know there was such a thing) on the way to the boat.

Purple Heron

Most of the more obvious birds we saw were water birds – cormorants, egrets, pond herons…

Morning Light

Pond Heron

…but there were also birds of prey, such as this Brahminy Kite

Brahminy Kite

But most amazingly, we saw so many kingfishers! Like, how often do you see two different types of kingfishers and a cormorant, just sitting on a bunch of twigs? Ignore the trash please.

Three Little Birds

This is a closeup of the white throated kingfisher, who stayed on the bush until we got about three meters away.

White throated Kingfisher

The white throated kingfishers have bright blue backs. Here’s one from another angle, and as it takes off in flight.

White Throated Kingfisher

Taking off

Of the other kingfishers we managed to photograph (some flew away when we got close), we also saw this black capped kingfisher and many so-called “common kingfishers” (if they’re so common, why is it so cool to spot one?):

Black Capped Kingfisher

And finally, Uday nearly flipped out when we came upon two white collared kingfishers.  This is a guy who takes tourists out to see birds pretty much every day – and he was taking pictures with his own cell phone, and insisting we send him prints.  He said other birdwatchers would come for weeks to try and spot this bird.  One flew away when we approached – but the other stayed, and we came within a couple of meters.

White Collared Kingfisher

You should give Uday a call if you’re ever in North Goa.  His number is +91-9822583127 or +91-9545062069.  He’ll charge a fair price, depending on how many of you there are in the boat.  Bring a 300mm lens. And a sweatshirt or something for the early morning scooter ride.

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Hack Your Brain: Mrs. McKinley in 3D

I have an old Holmes stereoscope that dates from around 1900 or so.  What’s a stereoscope?  It’s a device that allowed you to look at two side-by-side photographs in such a way that the image appeared to be in 3 dimensions.

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This is not new technology.  The earliest stereoscopes date from the 1830s.  They were used with line drawings, as photography wasn’t really in practical use yet. The design for my stereoscope originated with Oliver Wendell Holmes in 1861, and would last 100 years.  I got mine with a stack of stereograms – these are the pictures viewed in the scope.  Many are faded unevenly and most have names written on the backs in pencil.  All can be viewed in 3-D.

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I also have a “stereo” camera, made by the company Realist around 1952.  The Realist cameras were used to take simultaneous “stereo” slides, which could then be seen in 3D through a special viewer.  It’s the same principle used by the View-Master.  I’m sure you had one as a kid.  The View-Master could be a whole separate blog post.  did you know they are still in production?

Anyway, I don’t have a Realist viewer.  And slides are hard to develop these days.  So I thought I’d test out the camera and print the photos on cards so they could be viewed in the 100-year-old stereoscope.  Only it turns out that the camera doesn’t space the exposures correctly, and virtually all of them overlapped.  And had a lot of dust and specks on them.  So I will need to work on that separately.

I thought about other ways I might be able to view photos from the Realist camera – it’s possible to use Photoshop, for example, to turn a pair of 3D photos into a photo that can be viewed through those red/blue 3D glasses.  And I stumbled across a website that talks about how you can quickly alternate two stereo photos, and that will also trick your brain into seeing an image in 3D.  It’s also easily accomplished in Photoshop.  For example, here is one of the photos from the Realist (cropped slightly):

[NOTE:  To see the 3D effect, I believe you will have to click on the photo so that it opens in a new window.  Give it a minute.]

pond

So that’s when I asked myself, wouldn’t it be cool to scan some of those old stereographs, and turn them into animated gifs using the same technique?  Thus using modern technology to “hack” your brain into seeing them in 3D without the ‘scope?

So here are a few of those stereographs from 1900 or so, brought to life as gifs.

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The first image is just an example; it shows the extent to which many of the pictures are faded. This one says “milking the Goats. Hardanger Fjord, Norway.”  (Reminder to click on the pictures, which opens a new window in each case.)

goat

 

The photo below is captioned, “A letter from Pat in America, Ireland”

Ramallah

 

And below, Women sorting Raisins, Ramallah, Palestine.

Palestine

 

And finally, Mrs. McKinley, in glorious 3D!

mckinley

 

If you’re interested in trying this yourself (with digital photographs you take using your own camera), check out this tutorial.

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Found Film Friday: It Doesn’t Have to Be Old

One of the fun aspects of “found film” is the fact that it’s usually old, and developing it opens a window into a forgotten past, maybe involving forgotten people.  But this week’s roll is an oddity in that it’s not that old at all.  Which I find strange.

I picked this up as one of six rolls on eBay, identified as, “Six exposed rolls of mystery! I have no idea what’s on these, shot by me and some friends long ago.”

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It turns out that “long ago” is a relative term – these are photos from San Francisco from 2000 or after.  How do we know?  Well, there’s this Toyota Prius, for one:

Found Film: Mike in SFO

Someone who knows a bit about late-model cars could probably nudge this estimate a few years forward based on the cars in the photo below:

Found Film: Mike in SFO

The seller suggested his film’s buyer “develop them as is, or run them through your camera for a double exposure treat!” What I find odd is that someone took a bunch of pictures just a few years ago, probably remembers the circumstances in which they took the pictures, and yet chose not to develop them, instead selling them on eBay. This first roll I chose to develop, I never expected to get any photos whatsoever. It’s a 3200 ASA roll of black and white film – extremely sensitive. They say you shouldn’t put anything above 800 through the airport security scanners, as it’s sensitive to radiation – so I expected a 3200 roll would have degraded quickly over time through ambient radiation. Yet the photos came out crisp and clear.

In addition to city scenes like this one:

Found Film: Mike in SFO

the photographer also took a few “artsy” shots on this roll. Like this one, which I particularly like, and about 4 shots of…feet. I only posted one.

Found Film: Mike in SFO

Found Film: Mike in SFO

There are a couple of people shots too. Like this guy, for instance, who may fancy himself a boxer.

Found Film: Mike in SFO

Found Film: Mike in SFO

But what I find most interesting about this roll of film – and the biggest proof of its recency – it that it was shot in the “age of the selfie.” Because it includes a shot of the photographer, and the camera he used to take the photos.

Found Film: Mike in SFO

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Review: Phantom 2 Quadcopter

One of my photographer friends posted a video on Facebook a couple of weeks ago and wrote something along the lines of, “This video is guaranteed to convince you to buy a GoPro and a Quadcopter…”

He was right.  Proceed at your own peril!

Aerial footage of surfers at Steamer Lane, Santa Cruz (DJI Phantom) from Eric Cheng on Vimeo.

I already had the GoPro, one of those tiny wearable cameras that has a range of video and photo options you hardly find on any normal camcorder.  But a quadcopter?  “What sort of strange magic is this?” I asked myself. I imagined all of the possibilities, and thought of all the opportunities I had already missed – in Namibia, for example, with its wide open spaces and wildlife…and I knew I had to have one.

So I ordered the DJI Phantom 2 for GoPro with ZenMuse Gimbal. It’s a mouthful, but I’ll explain shortly.

The DJI Phantom is a quadcopter that sells for just under $500.  Its recently-released successor, the Phantom 2, has a host of improvements, most notably (in my opinion) that its battery life is extended from 15 minutes, to about 25.  And then there’s the Phantom 2 Vision, which has its own built-in camera that broadcasts a video signal to a smartphone you can mount on the remote, for a first-person view of what the camera “sees.”  That runs close to $1200.

I opted for the Phantom 2 without the camera, but with a mount for the GoPro Hero camera.  The camera can be mounted directly to the ‘copter, or via a “gimbal”.  The gimbal holds the camera in a steady position regardless of what the ‘copter is doing – which results in a much more steady image.  You can also use the remote to change the angle of the camera, from pointing straight ahead, to looking straight down (and all points in between).  The gimbal by itself costs about $350, but the Phantom 2 with the gimbal together is $870.

This is not your ordinary toy remote control helicopter.  This quadcopter includes technology that keeps flight stable and allows it to hold a steady hover when you take your hands off the controls.  And the battery is “smart” – meaning not only that it knows when the battery is low, but will automatically fly back to its start point and land when the battery is low – or if communications with the remote are somehow interrupted.  I haven’t tested this feature, nor do I want to – but it’s comforting to think it will work when I have hundreds of dollars worth of electronics so far away it’s barely visible, possibly over water.  It communicates visually with flashing colored LED lights.

It’s pretty easy to learn how to fly, though you need to give yourself some open space, and take time to practice before trying to maneuver in tight spaces.  I was a little overconfident and had a couple of hard landings.  But at least I wasn’t like another reviewer, who reportedly tried flying it inside his own house!  And it’s a lot of fun!

On the downside, the GoPro uses the same frequency to communicate as the ‘copter.  This means you effectively lose the ability to use the first-person viewing ability built into the GoPro (it connects via WiFi to a table or iphone) because your GoPro talking to your ipad may interfere with the flight commands.  Again, this is not something I’m willing to test!  So if you don’t already have a GoPro and are looking at buying one of these, I’d buy the Vision – with its own camera already attached – because they have it communicating on a different frequency.  I think the first-person viewing is a pretty useful feature – without it, you’re basically “estimating” what the camera is seeing, and by the time you view the results on your computer, it may be too late to re-shoot.  So you take extra footage, just in case – so you have more to choose from.

Also, everyone agrees it’s easy to fly, but there is also the occasional “hard landing.”  In my case, one of the aluminum brackets holding the gimbal bent (quite easily, actually), which means the camera angle was no longer correct until I bent it back.  The edges of the mounting holes are very delicate and break if you do too much bending – and they charge $75 for a new bracket, despite the fact that this is probably the least expensive part of the gimbal.  This was about the time I learned about a company called Shapeways, where people design, make and sell items with their 3D printers.  On that site, a much more durable plastic version of the bracket costs $33.

Finally, transport is a bit of a pain.  I have wondered how airport security will react to seeing this in my carry-on luggage; but first I need to figure out how to move it with the propellers attached.  The props are self-tightening, which is a good thing until you want to remove them.  There’s a $1 tool available to help with this which I haven’t tried.  Or a $200 Pelican case with foam inserts to hold everything in place where it belongs.  This can be an expensive hobby, I guess!

Finally, I have recorded a short video to show the results I was able to achieve.  This is from a 7-minute flight, cut down to make it more interesting.  The ‘copter is pretty noisy, which is why every video you see online (also fun to check out, by the way) is a music video.  I suppose you could also narrate or use other sounds.

There is one caveat to be aware of. Legislation and regulations governing the use of these things are still developing. Most countries don’t have anything in place, but this may change. In the U.S., it is currently OK to fly these under 400 feet, as long as it’s not for commercial purposes. I heard that a business using some form of ‘copters to deliver goods was grounded, and the use of these for commercial photography/videography is presumably also prohibited. Something to bear in mind before you drop a lot of cash on this!

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Vintage Camera Test: No 2 Hawkeye Model C Anniversary Edition

This week’s vintage camera test is an interesting one (yes, but aren’t they all?), despite its rather long name.  Waaaay back in the late 1880s, a small company called the Boston Camera Company introduced a model called the “Hawk-Eye” Detective camera.  The Hawk-Eye Detective camera was unique in 1888 because it enclosed all of the camera’s components in a wooden box, which made it easier to take candid shots.  You could argue this was the start of street photography.  People soon figured out, however, that a wooden box with a hole in it was a camera, and would pose for the shot.

The Blair Camera Company apparently also thought this was a great idea, acquired the Boston Camera Company, and continued to produce the Hawk-Eye number 1 (I’m not sure they actually called it that!) and gradually improved it by doing things like covering the wooden box with leatherette.  That Hawk-Eye used 4-by-5 inch plates.

Meanwhile, there was a guy by the name of George Eastman, who had been manufacturing dry camera plates since 1880, who decided to get into the camera business himself in 1888 when he registered the “Kodak” name.  In 1899, he acquired the Blair Camera Company, and in 1913, rolled out the Number Two Hawk-Eye, a simple box camera with one viewfinder set up for vertical “portrait” photos (later, a second was added); a shutter switch, and no other adjustments.  The Number Two Hawk-Eye Model C was made of thick cardboard, covered with black leatherette, and used 120 rollfilm which had been developed by Eastman’s Kodak company.  Missing from the model below is the leather strap that would have been on top.

Kodak No. 2 Hawkeye Model C Box Camera

Only the subject of this blog post isn’t one of those 1913 Kodak No. 2 Hawkeyes – this one would not be produced until 17 years later.  In 1930, Kodak re-issued the camera – this time with brown leatherette and gold colored latches – as a 50th anniversary “special.”  Parents of children who were to turn 12 that year were invited to pick up one of 500,000 such cameras produced in the United States (another 52,000 in Canada) in celebration of Eastman Kodak’s 50th Anniversary.  On the side of the camera was a sticker identifying the camera as such – many of these have by now worn off.

Anniversary Kodak No. 2 Hawkeye Model C Box Camera

Anniversary Kodak No. 2 Hawkeye Model C Box Camera

So this is the camera I tested for this week’s post.  I used a roll of Kodak black and white (TX400) film and took the camera to a local festival celebrating the Mylapore neighborhood.  I got eight 6-by-9 centimeter exposures, of which three were blurry.  Here are the remaining five.

Door and Shadows

Temple Gate

 

The photo above is the Kapaleeshwarar Temple.

On the Phone

 

The photos below are a “kolam” contest.  Each day of the festival, up to 100 (mostly) women competed in a “best kolam” contest.  Around the corner, they had a contest for kids/teens.  These are from the kids/teens contest.

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Kolam Contest

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Guindy National Park

Smack in the middle of Chennai is a 2.8 square-kilometer national park – one of India’s smallest – which is an extension of the Tamil Nadu Governor’s residence. Along its fringes can be found the Snake Park, which I’ve posted about previously, and the Childrens’ Park, which on most days is filled with uniformed schoolchildren and young couples seeking a private place far from prying eyes. While the other attractions can be visited, the majority of the park itself is generally off-limits to the public. Understandably so – in the middle of a city of 8 million, it would be difficult to maintain the pristine natural environment that exists within its boundaries.

We’ve been trying to figure out since we got here, how or to whom one must apply for permission to visit the park itself, and finally one of our work colleagues figured it out and we got a chance to see it.

Guindy Park Sign

Accompanied by uniformed policemen who both provide security for the Governor’s residence and function as park rangers of sorts, we got to do an early Saturday morning walk through the park. Many of the animals can be tricky to spot, especially when you’re in a group of people, but we did get to see some of the interesting plants and trees, as well as several types of deer, to include the threatened blackbuck.

Pink Flowers

Chital Doe Resting

Chital (Spotted Deer)

Despite its small size, the park is nice because the animals and plants are largely left alone in their natural state.  It’s full of birds, and if you look carefully, many of the park’s smallest life forms are quite fascinating.

Spider Circus Tent

Sunbeams

Along its edges, the animals do come into contact with humans however. And this can make for interesting photo opportunities.

Intruder

Looking for a Handout

Who, Me?

 

What on Earth was this deer up to??

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Found Film Twofer: At the Beach and On the Farm

Not long ago, I bought a roll of Kodak Verichrome Pan 127 film that had been found inside an old Beacon II, a bakelite camera manufactured between 1947 and 1955 by Whitehouse Products in Brooklyn.  The seller threw in half a roll of black and white 35mm film – which he thought might have come from an Argus C3 – for free.  We know the film from the Beacon came from Washington state, but the other film is a complete mystery.

As it turns out, the 127 film really only yielded a single recognizable image.  Although Washington is typically cool, it’s a beach scene, and the camera may have been left in the sun, stored in a hot glove box, or else the film just didn’t do well over the years.  But because it’s only a single image (and not very clear) I’m sharing both rolls this week.  First, the 127 image:

Found Film at the Beach

Now for the other film, which ended up being more interesting.

This is our main subject for all the photos. It seems all the photos were taken the same day (or they all like wearing the same clothes days in a row, not likely!), maybe shortly after this guy acquired a horse farm?

Found Film - Horse Farm

Anyway, you know how some people always pose the same way for pictures? You pull out a camera and they immediately snap into the characteristic pose. Our hero for this roll of film always likes to put his right hand in his pocket with the thumb out, and let his left arm dangle by his side. I’m not saying there’s anything wrong with that – it’s just what he does. Here he is with his lovely wife:

Found Film - Horse Farm

And I imagine this might be his mother-in-law and his son. Or do you think she looks more like him (and might be his mother?)

Found Film - Horse Farm

This must be the view near their home/ranch. Is it a snowy meadow or a lake?

Found Film - Horse Farm

And finally, a picture of a horse and pony. I hope they liked living in the country.

Found Film - Horse Farm

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At the Fair – Chennai Style

There’s a place in north-central Chennai where they set up the local “fair.” Called the “Island Grounds”, it’s the site of the 40th Tourism and Trade Fair. To be honest, we skipped most of the trade fair itself, but found the traditional rides-and-games-and-unhealthy-food part of the fair to be quite interesting, both from a cultural and a photographic point of view.

island ground

 

We arrived just as the sun was setting – ideally about an hour earlier would have been great as the light was fantastic on the way there.  But after the last few sunset shots we concentrated on night photos, which can be lots of fun.

You can have a lot of fun with shutter speed at a fair – like check out this ferris wheel:

Blur II

With all the blur, you can hardly tell the ferris wheel cars seem to be sponsored by Windows?

Sponsored by Windows?

This is the guy, by the way, controlling all of the action. He pulls and releases a handle. For hours and hours. Oh, the life of a carney…

Pulling the Handle Makes it Go

Carrying around our big cameras, we got plenty of attention from other fair-goers who wanted us to snap their picture. Like this Dad below:

Hat Pose

But we also took some photos on the sly.

Taking a Break

As it got darker, the blur shots became more and more fun. Here’s a few of those:

Night Ferris Wheel

Speed Ride

…and there was this ride, where the kids would slowly be lifted up, and then gradually bounced down. Can you guess which is which?

On the Way Up

On the Way Down

Of course, the kid on the left didn’t appear to be impressed going up OR down. Maybe he was trying to play it cool with all the girls.

The fast food offerings were interesting from an outsider perspective. Of course there was cotton candy, which, by the way, melts much more quickly in the damp Chennai weather. But we got a kick out of watching these guys prepare “chola poori” – a deep fried dough thing, placed on top of beans or something (we’re not sure). But it was probably spicy. Watch the video:

And finally, over at the “trade fair” area, this little fella was holding his own in the extremely difficult and technical world of Carnatic music:

A fun evening for the whole family. If you don’t mind super PACKED venues! Probably Sunday evening was not the ideal time to go. But fun all the same! You can see all the pictures from the evening in this Flickr set.

Lights on the River

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